Post-Augustan Poetry From Seneca to JuvenalButler, Harold Edgeworth
History
Post-Augustan Poetry From Seneca to Juvenal
Butler, Harold Edgeworth
Latin poetry -- History and criticism; Rome -- In literature
It is almost a crime to be a foreigner. The Greek is a liar, a base
flatterer, a monster of lust, a traitor, a murderer.[723] The Jew is the
sordid victim of a narrow and degrading superstition.[724] The Oriental
is the defilement of Rome; worst of all are the Egyptians;[725] they
even eat each other. The freedman, the _nouveau riche_, the
_parvenu_[726] are hated with all a Roman's hatred. The old patriotism
of the city state is not yet merged in the wider imperialism. It is
bitter to hear one of alien blood say 'Civis Romanus sum'.
This strange violence and lack of proportion are due in part to the
poet's rhetorical training, which had warped still further a naturally
biased temperament. He had been taught and loved to use the language of
hyperbole. And he had lived through the principate of Domitian; it was
that above all else which made him cry _difficile est saturam non
scribere_. To this same tendency to exaggeration may be in part
attributed the extreme grossness of so much of his work. It is true that
vices flaunted themselves before his eyes that it would be hard to
satirize without indecency. There is excuse to some extent for the
second, sixth, and ninth satires. But even there Juvenal oversteps the
mark and is often guilty of coarseness for coarseness' sake. It is easy
to plead the custom of the age,[727] but it is doubtful whether such
pleading affords any real palliation for a writer who sets out to be a
moralist. It is easy in an access of admiration to say that Juvenal is
never prurient: but it is hard to be genuinely convinced that such a
statement is true, or that Juvenal's coarseness is never more than mere
plain speaking.[728]
For not a few readers, this tenseness of language, this violence of
judgement, and this occasional unclean handling of the unclean, make
Juvenal an exhausting and a depressing poet to read in any large
quantity at a time. Worse still, they lead the reader at times to
harbour doubts as to the genuineness of Juvenal's indignation. Such
doubts are not in reality justifiable. Juvenal sometimes goads himself
into inappropriate frenzies and sometimes betrays a suspiciously close
acquaintance with the most disgusting details of the worst vices of the
age. But though he had something of the unreality of the rhetorician,
and though his character may, perhaps, not have been free from serious
blemish, he is never a hypocrite; nor, though he paints exclusively the
darkest side of society, is there the least reason to accuse him of
culpable misrepresentation of actual facts. He has selected the
material most suited to his peculiar genius: we may complain of his
principle of selection, and of his tendency to generalize. There our
criticism must end.
Public-domain text, read in full here on John Shaqi.
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