Post-Augustan Poetry From Seneca to JuvenalButler, Harold Edgeworth
History
Post-Augustan Poetry From Seneca to Juvenal
Butler, Harold Edgeworth
Latin poetry -- History and criticism; Rome -- In literature
564. viii. 751. Tydeus bites the severed head of Melanippus to the
brain, thereby losing the gift of immortality that Pallas was hastening
to bring him. The incident is revolting, but Statius has merely followed
the old legend recorded by Aesch. _Sept._ 587; Soph. _Fr._ 731; Eurip.
_Fr._ 357.
565. Cp. in this context Atalanta's beautiful lament on his departure
for the war, iv. 318.
566. Every book, however, abounds in echoes of Vergil, both in matter
and diction; e.g. _Aen._ vii. 475, Allecto precipitates the war by
making Ascanius kill a tame stag. _Theb._ vii. 562, an Erinnys brings
about the war by causing the death of two pet tigers sacred to Bacchus.
_Aen._ xi. 591, Diana orders one of her nymphs to kill the slayer of
Camilla. _Theb._ ix. 665, she tells Apollo that the slayer of
Parthenopaeus shall perish by her arrows, for which see _Th._ ix. 875.
Cp. also _Th._ ii. 205; _Aen._ iv. 173, 189; _Th._ ii. 162; _Aen._ xi.
581. The passage previously referred to concerning the exploits of Dymas
and Hopleus is especially noteworthy as openly challenging comparison
with Vergil; cp. x. 445. For verbal imitations cp. _Aen._ v. 726, 7;
_Th._ ii. 115; _Aen._ i. 106; _Th._ v. 366; _Aen._ vii. 397; _Th._ iv.
379, &c. It is no defence to urge that the ancients held different views
on plagiarism, that Vergil and Ovid pilfered from their predecessors.
For _they_ made their appropriations their own, and set the stamp of
their genius upon what they borrowed. And, further, the process of
borrowing cannot continue indefinitely. The cumulative effect of
progressive plagiarism is distressing. For Statius' imitation of other
Latin poets, notably Lucan, Seneca, and Ovid, see Legras, op. cit., i.
2. Such imitations, though not very rare, are of comparatively small
importance.
567. ix. 315 sqq.
568. Statius is imitating early Greek epic. That might excuse him if
these similes possessed either truth or beauty.
569. See p.123, note.
570. i. 841-85 gives a good idea of the _Achilleis_ at its best. The
passage describes the unmasking of the disguised Achilles.
571. Quint, x. 3. 17.
572. _Silv._ i. 1. 6; iii. 4; iv. 1. 2, 3.
573. ii. 1. 6; iii. 3.
574. v. 1. 3, 5.
575. iii. 5; iv. 4. 5, 7; v. 2.
576. i. 4.
577. iii. 2.
578. i. 3. 5; ii. 2; iii. 1.
579. i. 2.
580. ii. 7.
581. iv. 6.
582. ii. 4. 5.
583. v. 4.
584. Cp. also the extravagant dedication of the _Thebais_.
585. It is hard to select from the _Silvae_. Beside, those poems from
which quotations are given, iii. 5, v. 3 and 5 are best worth reading.
But the average level is high. The Sapphic and Alcaic poems (iv. 5 and
7) and the hexameter poems in praise of Domitian (i. 1, iii. 4, iv. 1
and 2) are the least worth reading.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account