Post-Augustan Poetry From Seneca to JuvenalButler, Harold Edgeworth
History
Post-Augustan Poetry From Seneca to Juvenal
Butler, Harold Edgeworth
Latin poetry -- History and criticism; Rome -- In literature
si puteal multa cautus vibice flagellas (iv. 49),
'if in your zeal for the main chance you flog the exchange with many a
stripe,' a mysterious passage generally supposed to mean 'if you exact
exorbitant usury'. A little less enigmatic, but fully as forced and
unnatural is
dum veteres avias tibi de pulmone revello (v. 92),
'while I pull your old grandmotherly views from your heart,' or the
extraordinarily harsh metaphor of the first satire (24)--
quo didicisse, nisi hoc fermentum et quae semel intus
innata est rupto iecore exierit caprificus?
What is the good of past study, unless this leaven--unless
the wild fig-tree which has once struck its root into the
breast, break through and come out? CONINGTON.
which means nothing more than 'What is the good of study unless a man
brings out what he has in him?' A far more serious source of obscurity,
however, is his obscurity of thought. Even when the sense of individual
lines has been discovered, it is often difficult to see the drift of the
passage as a whole. Logical development is perhaps not to be expected in
the 'hotch-potch' of the 'satura'. But one has a right to demand that
the transitions should be easy and the drift of the argument clear. This
Persius refuses us. The difficulties which he presents are--as in the
case of Robert Browning--in part due to his adoption of the traditional
dramatic form in satire, a form in which clearness of expression is as
difficult as it is desirable. But we cannot excuse his obscurity as we
sometimes can in Browning--either as being to some extent a realistic
representation of the discursiveness and lack of method that
characterize the reasonings of the average intelligent man, or on the
other hand as springing from the intensity of the poet's thought. It is
not the case with Persius that his thoughts press so thick and quick
upon him, or are of so deep and complicated a character, as to be
incapable of simple and lucid expression. It is sheer waywardness and
perversity springing from the absence of true artistic feeling to which
we must attribute this cardinal defect. For his thought is commonplace,
and his observation of the minds and ways of men is limited.
Public-domain text, read in full here on John Shaqi.
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