Post-Augustan Poetry From Seneca to JuvenalButler, Harold Edgeworth
History
Post-Augustan Poetry From Seneca to Juvenal
Butler, Harold Edgeworth
Latin poetry -- History and criticism; Rome -- In literature
Yes--you hope to read this out some day, got up sprucely with
a new toga, all in white, with your birthday ring on at last,
perched up on a high seat, after gargling your supple throat by
a liquid process of tuning, with a languishing roll of your
wanton eye. At this you may see great brawny sons of Rome all in
a quiver, losing all decency of gesture and command of voice, as
the strains glide into their very bones, and the marrow within is
tickled by the ripple of the measure. CONINGTON.
A few lines later comes a similar and equally vivid picture (30):
ecce inter pocula quaerunt
Romulidae saturi, quid dia poemata narrent.
hic aliquis, cui circum umeros hyacinthina laena est,
rancidulum quiddam balba de nare locutus,
Phyllidas Hypsipylas, vatum et plorabile siquid,
cliquat ac tenero subplantat verba palato.
Listen. The sons of Rome are sitting after a full meal, and
inquiring in their cups, 'What news from the divine world of
poesy?' Hereupon a personage with a hyacinth-coloured mantle
over his shoulders brings out some mawkish trash or other, with
a snuffle and a lisp, something about Phyllises or Hypsipyles,
or any of the many heroines over whom poets have snivelled,
filtering out his tones and tripping up the words against the
roof of his delicate mouth. CONINGTON.
Here the poet is describing what he has seen; in the world of letters he
is at home. He can laugh pungently enough at the style of oratory
prevailing in the courts--
nilne pudet capiti non posse pericula cano
pellere, quin tepidum hoc optes audire 'decenter'.
'fur es', ait Pedio. Pedius quid? crimina rasis
librat in antithetis, doctas posuisse figuras
laudatur, 'bellum hoc?' (i. 83).
Are you not ashamed not to be able to plead against perils
threatening your grey hairs, but you must needs be ambitious
of hearing mawkish compliments to your 'good taste'? The
accuser tells Pedius point blank, 'You are a thief.' What does
Pedius do? Oh, he balances the charges in polished antitheses--
he is deservedly praised for the artfulness of his tropes.
Monstrous fine that! CONINGTON.
He can parody the decadent poets with their effeminate rhythms and their
absurdities of speech.[238] He can mock the archaizer who goes to Accius
and Pacuvius for his inspiration.[239] He can give an admirable summary
of the genius of Lucilius and Horace--
secuit Lucilius urbem,
te Lupe, te Muci, et genuinum fregit in illis;
omne vafer vitium ridenti Flaccus amico
tangit et admissus circum praecordia ludit,
callidus excusso populum suspendere naso (i. 114).
Public-domain text, read in full here on John Shaqi.
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