Post-Augustan Poetry From Seneca to JuvenalButler, Harold Edgeworth
History
Post-Augustan Poetry From Seneca to Juvenal
Butler, Harold Edgeworth
Latin poetry -- History and criticism; Rome -- In literature
at nox, felicis Magno pars ultima vitae,
sollicitos vana decepit imagine somnos.
nam Pompeiani visus sibi sede theatri
innumeram effigiem Romanae cernere plebis
attollique suum laetis ad sidera nomen
vocibus et plausu cuneos certare sonantes;
qualis erat populi facies clamorque faventis,
olim cum iuvenis primique aetate triumphi
* * * * *
sedit adhuc Romanus eques; seu fine bonorum
anxia venturis ad tempera laeta refugit,
sive per ambages solitas contraria visis
vaticinata quies magni tulit omina planctus.
seu vetito patrias ultra tibi cernere sedes
sic Romam fortuna dedit. ne rumpite somnos,
castrorum vigiles, nullas tuba verberet aures.
crastina dira quies et imagine maesta diurna
undique funestas acies feret, undique bellum.
But night, the last glad hours that Magnus' life should
know, beguiled his anxious slumbers with vain images of
joy. He seemed to sit in the theatre himself had built, and
to behold the semblance of the countless Roman multitude,
and hear his name uplifted to the stars by joyous voices,
and all the roaring benches vying in their applause. Even so
he saw the people and heard their cheers in the days of old,
when still a youth, in the hour of his first triumph ... he sat
no more as yet than a knight of Rome; whether it was that at
thy fortune's close thy sleep, tormented with the fears of what
should be, fled back to happier days, or riddling as 'tis wont,
foretold the contrary of thy dreams and brought thee omens of
mighty woe; or whether, since ne'er again thou mightest see thy
father's home, thus even in dreams fortune gave it to thy sight.
Break not his slumbers, guardians of the camp; let not the
trumpet strike his ears at all. Dread shall to-morrow's slumbers
be, and, haunted by the sad image of the disastrous day, shall
bring before his eyes naught save war and armies doomed to die.
Public-domain text, read in full here on John Shaqi.
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