Post-Augustan Poetry From Seneca to JuvenalButler, Harold Edgeworth
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Post-Augustan Poetry From Seneca to Juvenal
Butler, Harold Edgeworth
Latin poetry -- History and criticism; Rome -- In literature
And the gods conceal from those who are doomed to live how
happy it is to die. Thus only may they endure to live.
or (viii. 631-2)--
mutantur prospera vitae,
non fit morte miser;
Life may bring defeat,
But death no misery.
SIR E. RIDLEY.
or (i. 32)--
alta sedent civilis volnera dextrae;
Deep lie the wounds that civil war hath made.
or (ix. 211)--
scire mori sors prima viris, sed proxima cogi.
Best gift of all
The knowledge how to die: next, death compelled.
SIR E. RIDLEY.
Lines such as (i. 281)--
semper nocuit differre paratis,
To pause when ready is to court defeat.
SIR E. RIDLEY.
or (v. 260)--
quidquid multis peccatur, inultum est
The crime is free where thousands bear the guilt.
SIR E. RIDLEY.
are commonplace enough in thought but perfect in expression. Of a
different character, but equally noteworthy, are sayings such as iv.
819--
momentumque fuit mutatus Curio rerum;
The change of Curio turned the scale of history.
or (iv. 185)--
usque adeone times, quem tu facis ipse timendum?
Dost fear him so
Who takes his title to be feared from thee?
SIR E. RIDLEY, _slightly altered._
Lucan's gift for epigram is further enhanced by the nature of his metre.
Ponderous in the extreme, it is ill-suited for epic, though in isolated
lines its very weight gives added force. But he had a poor ear for
rhythm: his hexameter is monotonous as the iambics of Seneca. There is a
want of variety in pauses; he will not accommodate his rhythm to
circumstances; line follows line with but the slightest rhythmical
variation, and there is far too[307] sparing a use of elision. This
failing is in part due to his desire to steer clear of the influence of
Vergil and strike out on a line of his own. Faint echoes of Vergil, it
is true, occur frequently throughout the poem, but to the untrained eye
Lucan is emphatically un-Vergilian. His affinity to Ovid is greater.
Both are rhetorical, and Lucan is indebted to Ovid for much mythological
detail. And it is probable that he owes his smoothness and monotony of
metre largely to the influence of the _Metamorphoses_. His ponderosity
is all his own.[308]
Public-domain text, read in full here on John Shaqi.
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