Maximilian Deza just escaped being a really great orator, like Segneri, whom he much resembles in his vehemence, zeal, fine word-painting, and brilliant transitions. There is nothing heavy or dull about his sermons; they are calculated to rivet the attention of an audience, and they appeal earnestly to the conscience. They are not sermons to be read in measured tones from the pulpit, but to be declaimed with flashing eye, modulated voice, and vehement gesture. To modern readers Deza seems to play with an idea in a manner unsuitable to our nineteenth century ideas of pulpit proprieties; but it must be borne in mind that his discourses are long, lasting sometimes two hours, and the mind of the hearer would need rest, it would only be fatigued if kept constantly on the stretch. Viewed thus, it will be seen that Deza handles his matter with great skill; he works one point of his subject to a climax,—you hold your breath even in reading him—and then he gently drops the point, and gives time for relaxation of the attention till he deems it fit to produce another effect, just as in a drama the sensational scenes are separated from each other by the talkee-talkee scenes in the front groove. But these intermediate portions of Deza’s sermons are by no means dull; they are light and pleasant trifles with which he toys, but which lead on insensibly to his point, just as the small beads of a rosary draw the fingers on to the larger ones. Take his sermon for Ash-Wednesday as an example. He is preaching on the words, “Remember, O man, that thou art dust, and that into dust thou shalt return,” which occur in the Roman Office for the day. He begins with the lessons drawn from the ashes sprinkled every where; and he bids his hearers look on these ashes, and remember that they shall one day be like them. He then draws with skill a picture of man’s forlorn condition, with the prospect of death before him, and no possibility afforded him of escape. He laughs to scorn the thoughts of immortality connected with name and title; he tells the story of Empedocles seeking an immortal name by jumping into the crater of Ætna; and then he warns his hearers most solemnly to keep death ever before their eyes. Remember, he cries, that you have sucked in with your mother’s milk the seeds of death. Remember that all beasts were created alive, but Adam was created a lifeless frame, till God breathed into his nostrils the breath of life. Remember that from the moment of birth, the moment of death began to creep nearer. Then suddenly pointing to the hour-glass he exclaims, Look! this hour is stealing away in grains of dust, warning you to remember what you too ere long will become. And having worked this out with great solemnity, he suddenly breaks off into a description of glass and its manufacture. He says it is made of sand and ash, it is fused with heat, it is formed by the breath.