Now I cannot help thinking that when Cervantes began to write _Don Quixote_ in prison, feeling bitter and sore against a world which had imprisoned him, and stiffened his hand for him, and condemned him to poverty and imprisonment, he must have had in his mind the story of the young bastard of Imperial Majesty who had risen to such heights of glory over Lepanto. It is not contended that Don Quixote was consciously intended to be a characterizature of Don Quixada or Don John, though his real name was Alonzo Quixana or Quixada, Don Quixote being a _nom de guerre_ born of his frenzy; but I find it hard to believe that Cervantes had not heard of the foolish loyalty of Quixada in the matter of Jeronimo, or of the romantic dreams of Don John. It would seem that in these two incidents we find the true seeds of _Don Quixote_. It is not true that “Cervantes laughed Spain’s chivalry away.” Chivalry, meaning the social order of the true crusades, had long been dead even in Spain, the most conservative of nations. What really laughed Spain’s chivalry away was the gay and joyous laugh of Don John himself, who would have plunged her into a great war for a dream. The man who seriously thought of dashing across the North Sea to marry Mary Queen of Scots would have been quite capable of tilting at windmills. In his inmost heart Cervantes must have seen his folly. The death of Don Quixote is probably the most generally famous in literature, vying with that of Colonel Newcome, though more impressive because it is less sentimental. Cervantes had begun by rather jeering at his old Don, and subjecting him to uncalled-for cudgellings and humiliations; he then fell in love with the brave old lunatic, as everybody else has fallen in love with him ever since, and by the time that he came to die had drawn him as a really noble and beautiful character, who shows all the pathos of the idealist who is born out of his time. The death of Don Quixote is, except the death of one other Idealist, the most affecting death in all literature; the pathos is secured by means similarly restrained. The Bachelor Samson Carrasco, in his determination to cure Don Quixote of his knight-errant folly, had dressed himself up as “The Knight of the White Moon,” and vowed that there was another lady more fair than Dulcinea del Toboso. At that blasphemy Don Quixote naturally flew to arms and challenged the insolent knight. By that time Rosinante was but old bones, so the Bachelor, being well-mounted on a young charger, overthrew the old horse and his brave old rider, and Don Quixote came to grass with a terrible fall. Then the Bachelor made Don Quixote vow that he would cease from his knight-errantry for a whole year, by which time it was hoped that he would be cured. They lifted his visor and found the old man “pale and sweating”; evidently Cervantes had seen some old man suffering from shock, and described what he saw in three words. From this humiliation Don Quixote never really recovered.