Post mortem: Essays, historical and medicalMacLaurin, C. (Charles)
History
Post mortem: Essays, historical and medical
MacLaurin, C. (Charles)
Biography; Pathology
He reached
home and formed the mad idea of turning shepherd with Sancho and the
Bachelor, and living out his penance in the fields. But Death saw
otherwise, and the old man answered his call before he could do as he
wished. He was seized with a violent fever that confined him to his
room for six days; finally he slept calmly for some hours, and again
awakened, only to fall into one attack of syncope after another until
he died; the sanguine assurance of Sancho Panza that Dulcinea had been
successfully disenchanted could not save him. Like most idealists he
died a sad and disappointed man, certain of one thing only--that he was
out of touch with the majority of mankind.
Cervantes was far too great an artist to kill his old hero by some such
folly as “brain fever”--which nonsense I guess to have been typhoid. I
believe that in describing the death of Don Quixote he was thinking of
some old man whom he had seen crawl home to die after a severe physical
shock, disappointed and disillusioned in a world of practical youth in
which there is no room for romantic old age--probably some kind old
man whom he himself had loved. These old men usually die of hypostatic
pneumonia, which has been called the “natural end of man,” and is
probably the real broken heart of popular medicine. The old man, after
a severe shock, is affected by a weakened circulation; the lungs are
attacked by a slow inflammation, and he dies, usually in a few days,
in much the same way as died Don Quixote. Cervantes did not know that
these old men die from inflammation of the lungs; no doubt he observed
the way they die, and immortalized his memories in the death of Don
Quixote. I have written this to point out Cervantes’ great powers of
observation. He would probably have made a good doctor in our day.
This theory of _Don Quixote_, that at its roots lie memories of Don
John and Don Quixada, is in no way inconsistent with Cervantes’ own
statement that he wrote the book to ridicule the romances of Chivalry
which were so vitiating the literary taste of seventeenth-century
Spain; at the back of his mind probably lay his own memories of foolish
and gallant things, quite worthy of affectionate ridicule such as he
has lavished on his knight-errant.
Philip II and the Arterio-Sclerosis of Statesmen
Public-domain text, read in full here on John Shaqi.
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