Art; English literature -- History and criticism; Literature -- History and criticism
Take not the name of art in vain: at least be ashamed to use it for
political purposes. Any stick may be good enough to beat Germans with.
Beat them if you can: I shall have no tears for them and their strong
military government. It is not people like me who will weep for Prussia.
But, though any stick may be good enough, some are too good. Besides,
however much we love France and the French, let us have the justice to
remember that if, as seems possible, French soldiers were using the
cathedral as a post of observation, the Germans, according to what are
called the rules of war, were in the right. In that case it was the
French themselves who first transgressed that law which, they now tell
us, makes neutral and inviolate works of art. For my own part, I utterly
deny that it can ever, in any circumstances, be right to destroy or put
in jeopardy beautiful things. But for any of those governments which
took a hand in the deliberate ruin of the summer palace at Pekin to
prate of vandalism and pose as defenders of art is not only disingenuous
but silly. The spectacle of European soldiers and statesmen who, to
admonish such evil Chinamen as might persist in defending their liberty
and their religion, destroyed without demur the masterpieces of Oriental
art, the spectacle, I say, of these people whimpering over the late
Gothic of Louvain or the early Gothic of Reims, strikes me as being what
the French, if their sense of humour had not suffered more than their
monuments, would call _un peu trop fort_.
Public-domain text, read in full here on John Shaqi.
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