England -- Social life and customs -- 20th century -- Fiction; Families -- Fiction; Journalists -- Fiction
'Oh, do let's go home, mother,' she said suddenly. 'I'm so tired. And I
don't believe they're really starving a bit, and I don't care if they
are. I do hate bazaars.'
Clare used once to be quite fond of them. But she seemed to hate so many
things now, poor child.
I took her home, and that evening I told Percy about my interview
with Mr. Juke.
'A libel action,' said Percy, 'would be excellent. The very thing. But if
he's guilty, he won't bring one.'
'Anyhow,' I said, 'I feel it is our duty not to let the affair drop. We
owe it to poor dear Oliver. Even now he may be looking down on us, unable
to rest in perfect peace till he is avenged.'
'He may, he may, my dear,' said Percy, nodding his head. 'Never know, do
you. Never know anything at all.... On the other hand, he may have lost
his own balance, as they decided at the inquest, and tumbled downstairs
on to his head. Nasty stairs; very nasty stairs. Anyhow, if Gideon didn't
shove him, he's nothing to be afraid of in our talk, and if he did he'll
have to face the music. Troublesome fellow, anyhow. That paper of his
gets worse every week. It ought to be muzzled.'
I couldn't help wondering how it would affect the _Weekly Fact_ if its
editor were to be arrested on a charge of wilful murder.
PART IV:
TOLD BY KATHERINE VARICK
A BRANCH OF STUDY
1
People are very odd, unreliable, and irregular in their actions and
reactions. You can't count on them as you can on chemicals. I suppose
that merely means that one doesn't know them so well. They are far harder
to know; there is a queer element of muddle about them that baffles one.
You never know when greediness--the main element in most of us--will stop
working, checked by something else, some finer, quite different motive
force. And them checking that again, comes strong emotion, such as love
or hate, overthrowing everything and making chaos. Of course, you may say
these interacting forces are all elements that should be known and
reckoned with beforehand, and it is quite true. That is just the trouble:
one doesn't know enough.
Though I don't study human nature with the absorption of Laurence Juke
(after all, it's his trade), I find it interesting, like other curious
branches of study. And the more complex and unreliable it is, so much the
more interesting. I'm much more interested, for instance, in Arthur
Gideon, who is surprising and incalculable, than in Jane and Johnny
Potter, who are pushed along almost entirely by one motive--greed. I'm
even less interested in Jane and Johnny than in the rest of their family,
who are the usual British mixture of humbug, sentimentality,
commercialism, and genuine feeling. They represent Potterism, and
Potterism is a wonderful thing. The twins are far too clear-headed to be
Potterites in that sense. You really can, on almost any occasion, say how
they will act. So they are rather dull, as a study, though amusing enough
as companions.
Public-domain text, read in full here on John Shaqi.
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