England -- Social life and customs -- 20th century -- Fiction; Families -- Fiction; Journalists -- Fiction
I dined there on Chloe's birthday, October 15th, when we always have a
family gathering. Family and other. But the family is heterogeneous
enough to make quite a good party in itself. It was represented on that
particular evening by my father and Chloe, my young sister Diana, my
brothers Wycombe and Tony, Tony's wife, myself, my uncle Monsignor Juke,
my aunt the Marchesa Centurione and a daughter, and my Aunt Cynthia, who
had recently, on her own fiftieth birthday, come out of a convent in
which she had spent twenty-five years and was preparing to see Life.
Besides the family, there were two or three theatrical friends of
Chloe's, and two friends of my father's--a youngish literary man called
Bryan, and the cabinet minister to whom Tony was secretary, but whom I
will not name, because he might not care for it to be generally known
that he was an inmate of so fast a household.
My Aunt Cynthia, having renounced her vows, and having only a
comparatively short time in which to enjoy the world, the flesh and the
devil, is making the most of it. She has only been out of her convent a
year, but is already a spring of invaluable personal information about
men and manners. She knows everything that is being said of everybody
else, and quite a lot that hasn't even got as far as that. Her Church
interests (undiminished in keenness) provide a store of tales
inaccessible to most of my family and their set (except my Uncle
Ferdinand, of course, and his are mostly Roman not Anglican). Aunt
Cynthia has a string of wonderful stories about Cowley Fathers biting
Nestorian Bishops, and Athelstan Riley pinching Hensley Henson, and so
forth. She is as good as Ronnie Knox at producing or inventing them. I'm
not bad myself, when I like, but Aunt Cynthia leaves me out of sight.
This evening she was full of vim. She usually talks at the top of a very
high and strident voice (I don't know what they did with it at the
convent), and I suddenly heard her screaming to the cabinet minister,
'Haven't you heard _that_? Oh, everybody's quoting it in Fleet Street,
aren't they, Mr. Bryan? But I suppose you never go to Fleet Street, Mr.
Blank; it's so important, isn't it, for the government not to get mixed
up with the press. Well, I'll tell it you.
'There was a young journalist Yid,
Of his foes of the press he got rid
In ways brief and bright,
For, at dead of the night,
He threw them downstairs, so he did.
Public-domain text, read in full here on John Shaqi.
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