England -- Social life and customs -- 20th century -- Fiction; Families -- Fiction; Journalists -- Fiction
She sat down, and I waited for her to speak. She wasn't nervous, or
embarrassed, as most people are in these interviews. Two things occurred
to me about her; one was that she was, in a way, too far through, too
mentally agitated, to be embarrassed; the other was that she was, quite
unconsciously, posing a little, behaving as the heroine of one of her
mother's novels might have behaved. One knows the situation in
fiction--the desperate girl appealing out of her misery to the Christian
priest for help. So many women have this touch of melodrama, this sense
of a situation.... I believed that she was, as she sat there, in these
two conditions simultaneously, exactly as I was simultaneously analysing
her and wanting to be of what service I could.
She leant forward across the vestry table, locking and unlocking
her hands.
'This is quite private, isn't it,' she said. 'As private as if...?'
'Quite,' I told her.
She drew a long, shivering breath, and leant her forehead on her
clasped hands.
'You know,' she said, so low that I had to bend forward to catch it,
'what people are saying--what my people suspect about--about Oliver
Hobart's death.'
'Yes, I know.'
'Well--it wasn't Mr. Gideon.'
'You know that?' I said quickly. And a great relief flooded me. I hadn't
known, until that moment, because I had driven it under, how large a part
of my brain believed that Gideon had perhaps done this thing.
'Yes,' she whispered. 'I know it ... Because I know--I know--who did it.'
In that moment I felt that I knew too, and that Gideon knew, and that I
ought to have guessed all along.
I said nothing, but waited for the girl's next word, if she had a next
word to say. It wasn't for me to question her.
And then, quite suddenly, she gave a little moan of misery and broke into
passionate tears.
I waited for a moment, then I got up and poured her out a glass of water.
It must have been pretty bad for her. It must have been pretty bad all
this time, I thought, knowing this thing about her sister.
She drank the water, and became quieter.
'Do you want to tell me any more?' I asked her, presently.
'Oh, I do, I do. But it's so difficult ... I don't know how to tell
you.... Oh, God ... It was _I_ that killed him!'
'Yes?' I said, after a moment, gently, and without apparent surprise. One
learns in parish work not to start, however much one may be startled. I
merely added a legitimate inquiry. 'Why was that?'
She gulped. 'I want to tell you everything. I _want_ to.'
Public-domain text, read in full here on John Shaqi.
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