Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876Elliott, Charles Wyllys
History
Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876
Elliott, Charles Wyllys
Pottery -- History; Pottery -- Marks
The _rose Pompadour_, or _rose du Barri_, has, within the last twenty
years, become most in vogue, so that at the Bernal sale, in 1856, a pair
of vases of this color, painted with groups of Cupids in medallions, was
purchased by the Marquis of Bath at eighteen hundred and fifty guineas.
An English collector, of moderate views, told me he proposed to purchase
a pair of vases of this color, some twelve inches high, at a sale at
Christie's, some five years since, if he could do so for, say, one
hundred pounds sterling. The first bid was one thousand pounds, and they
were knocked down at sixteen hundred and fifty guineas.
The variety and splendor of these _vases de luxe_ are great. They are to
be seen in most of the collections of Europe, and, to some extent, in
America; but their great cost, and the fact that they are so rarely
offered for sale here, make them quite uncommon in the United States.
Visitors to Europe should see those in the Kensington Museum, and in
private galleries; such as that of M. Rothschild, whose collection is
worth _millions_.
[Illustration: FIG. 137.--_Sèvres._]
It is a singular thing that during that fearful tempest known as the
French Revolution, when almost everything which had a suspicion of
royalty or luxury was swept away, the works at Sèvres were not
destroyed, but were carefully guarded and supported by the republican
Directory.
Besides these "articles of luxury," the Sèvres works have always made a
large number of services for household use, which, however, must always
be costly. Some of these are in this country; also a good many single
pieces, particularly from the collections of Louis Philippe, which were
large, and which were scattered at the time of the Revolution of 1848.
Quite a goodly number were in the sale of Mr. Lyons's collection, in
1876.
Some of these dinner-services were of course very elaborate and some
intended for royal houses were finished in the rich and heavy colors,
such as the _bleu de roi_, which for myself I would never desire; but
most of them were decorated with edges of very rich gold, and bands or
bouquets of flowers painted on the white.
[Illustration: FIG. 138.--_Sèvres, White and Gold._]
In Fig. 137 we present some pieces from a handsome service belonging to
W. C. Prime, Esq., of New York. The forms as well as the decoration are
perfect; the dark bands are a rich yellow, and the edges are finished
with heavy gold leafage and lines. This is a large and complete set.
The single plate shown in the picture, containing the portrait of
Montaigne, of course does not belong to the service. It is an admirable
piece of the miniature work done at Sèvres, and must find its place as a
picture does on the walls of the house. Plates, however, as valuable as
this should have the protection of a frame.
Public-domain text, read in full here on John Shaqi.
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