Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876Elliott, Charles Wyllys
History
Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876
Elliott, Charles Wyllys
Pottery -- History; Pottery -- Marks
Chaffers quotes from an official report as follows: "Concerning the
manufactory of Japanese porcelain, it was commenced only in 1765, your
excellencies were eye-witnesses of its rapid progress and therefore
deservedly protected and assisted him. He now works with three furnaces,
and has erected a fourth, a very large one, for the manufacture of
dishes. He has constantly in his employ forty-five workmen, including
the six apprentices whom he has undertaken to educate, and from the date
of his privilege, in August, 1765, down to the middle of December, 1766,
has disposed of sixteen thousand ducats' worth of manufactured goods,
etc., so that it may be fairly inferred that he will yet continue to
make greater progress both in quantity and quality."
At these works, for about fifty years, a great variety was made, such as
vases, statuettes, both white and colored, plates, dishes, services,
etc.
The imitations of Chinese work were so good as to deceive many. The
designs of Dresden, Sèvres, and the English workmen, were also produced
here with great skill.
Some excellent vases made at Venice are to be found in the collections
in Europe. In New York, Mr. Barlow and Mr. Prime have some pieces which
may be of Venice, or they may be of Chelsea, as the paste and the mark
are almost identical. The marks of the Vezzi and the Cozzi wares are as
follows:
[Illustration: _Marks of the Vezzi and the Cozzi wares. The anchor-mark
was used at Chelsea._]
At TURIN and Treviso porcelain was made in the last century; as to the
latter but little is to be said. Some pieces are known, upon which is
the mark G. A. F. F. and the name _Treviso_ in script.
Near Turin, at Vineuf, a manufactory was established about 1770 by a
physician named Gioanetti. "It was noted for its fine grain and the
whiteness of its glaze," says Chaffers; while Marryat says, "The glaze,
however, is wavy and yellowish."
It was sometimes marked with a simple +, at others with a =V= under the
cross, and again as shown here:
[Illustration: _Meaning Vineuf, Dr. Gioanetti._]
NOVE--HARD PASTE.--Porcelain seems to have been attempted at Nove, near
Bassano, in Italy, about 1752, by a man named Antonibon, who with his
son afterward continued it till 1781 or later. Some elaborate pieces
were made here, one of which we have taken from Marryat's book, because
it seems to possess, what so few do, excellence and originality. It is
in the Reynolds collection in England, and is some twenty-seven and a
half inches high--a superb piece of work (Fig. 141). The business passed
into other hands, and after 1800 it gradually went to decay.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account