Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876Elliott, Charles Wyllys
History
Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876
Elliott, Charles Wyllys
Pottery -- History; Pottery -- Marks
Another curious fact which may interest and encourage us in these
"trading-times" is, that the proprietors of the Chelsea works were then
obliged to protest and petition against the smuggling of French and
Dresden porcelain into England _for sale_ in quantities, under the cover
of the ministers' privilege to import for their own use. So, if all the
men in the days of our fathers were brave, they certainly were not all
honest.
At the sale of the Bernal[16] collection, in 1855, some Chelsea china
sold as follows:
A pair of beautiful globular scalloped vases and covers, deep blue,
painted with exotic buds, with pierced borders and covers of
the highest quality £110 5_s._
A cup and saucer, with festoons in raised white (chipped) 1 1_s._
Another, with flowers and crimson drapery edges 3
A beautiful two-handled cup and saucer, with medallions of Cupids
in pink, and striped gold sides 21
Mr. Marryat mentions the sale of some "Chelsea" in 1865:
At Lord Cardogan's sale, a pair of vases, painted with exotic
buds on gold ground 60 guineas.
A two-handled vase, open-work back and cover painted with
flowers, on a gold ground, seventeen inches high 250 guineas.
A fine figure of a female holding a branch, a lion at her feet,
penciled in gold 100 guineas.
Fifteen plates of old Chelsea, blue and gold, fetched £150
There are but few examples of Bow and Chelsea in this country. Mr.
Prime, and Mr. Barlow, of New York, I am told, have some pieces. Mr.
Wales has a bowl, and cup and saucer, in very rich, warm colors, being
designs from china, which are no doubt Chelsea, and excellent work. They
are shown in Fig. 148, on the right-hand corner, but this cannot, of
course, give any idea of the fine coloring.
[Illustration: FIG. 148.--_English Porcelain._]
Marks of Chelsea porcelain:
[Illustration]
Public-domain text, read in full here on John Shaqi.
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