Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876Elliott, Charles Wyllys
History
Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876
Elliott, Charles Wyllys
Pottery -- History; Pottery -- Marks
It was inevitable that the early faience of Nevers should bear a
likeness to that which had grown up so rapidly in Italy, and had
impressed itself so vividly upon the artistic mind of Europe. But it was
not an imitation. We have little if any examples of this work in our
country, and I give Marryat's brief distinction:
"The Nevers pottery differs in many points from its Italian original.
The outlines of the figures are traced in violet, the flesh in yellow.
The red color is seldom used, but a copper-green is peculiar to this
ware. Blue and yellow are the predominating colors, separated by a line
of white. The sea is represented by undulating lines of blue, in the
style of Orazio Fontana, and the Urbino school. The lips of the ewers
are in the form of leaves, the handles in that of dragons."
[Illustration: FIG 80.--_Faïences of Nevers._]
Demmin separates the work done here into four styles or periods, as
follows:
"1. The Italian, 1602 to 1670.
"2. The Persian, about 1640.
"3. The Chinese and Dutch, 1640 to 1750.
"4. The popular and patriotic, about 1789."
The examples shown (Fig. 80) are of the later periods, and partake of a
general character which prevailed at other manufactories of the periods
in France.
The colors during the Persian period were often effective, and the
lapis-lazuli blue was rich.
A very great quantity of plates, vases, dishes, etc., was made, many of
them rude and cheap, during the time of the French Revolution, which
were decorated with revolutionary emblems, pictures of the destruction
of the Bastile, with the liberty-cap, and with patriotic cries, such as
"_Liberté, égalité, ou mort!_" and "_Vive le roi citoyen!_"
At the beginning of the eighteenth century there were twelve
manufactories, or "_fabriques_," in full blast at Nevers. At the present
time there is a very considerable production of faience at Nevers, much
of which is only the imitations or reproductions of that made in the
earlier centuries. Nothing of special interest, so far as I know, was
shown at the Centennial Exhibition at Philadelphia.
At the Bernal sale was "No. 1981: A pair of bottles of Nevers ware,
light blue, spirally fluted with dark-blue flowers; twelve inches high.
Eleven pounds.--_J. S. Forbes, Esq._"
Public-domain text, read in full here on John Shaqi.
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