Powhatan; A Metrical Romance, in Seven CantosSmith, Seba
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Powhatan; A Metrical Romance, in Seven Cantos
Smith, Seba
Indians of North America -- Poetry; Powhatan, approximately 1550-1618 -- Poetry; Virginia -- Poetry
“The presents were sent by water, and the captains went by land with
fifty good shot. All being met at Werowocomoco, the next day was
appointed for his coronation. Then the presents were brought in, his
bason and ewer, bed and furniture set up, his scarlet cloak and apparell
with much adoe put on him, being perswaded by Namontack they would not
hurt him. But a foule trouble there was to make him kneele to receive
his crowne, he neither knowing the majesty nor meaning of a crowne, nor
bending of the knee, endured so many perswasions, examples, and
instructions, as tyred them all. At last, by leaning hard on his
shoulders, he a little stooped, and three having the crowne in their
hands put it on his head.”
[NOTE 24--CANTO SIXTH, SECT. VII.]
And still with sad and anxious thought
And moveless eyes he stood,
Till he saw her by another flash
Enter the midnight wood.
SKETCH OF THE CHARACTER OF POCAHONTAS.
“The character of this interesting woman, as it stands in the concurrent
accounts of all our historians, is not, it is with confidence affirmed,
surpassed by any in the whole range of history; and for those qualities
more especially, which do honor to our nature--a humane and feeling
heart, an ardor and unshaken constancy in her attachments--she stands
almost without a rival.
“At the first appearance of the Europeans, her young heart was impressed
with admiration of the persons and manners of the strangers. But it is
not during their prosperity that she displays her attachment. She is not
influenced by awe of their greatness, or fear of their resentment, in
the assistance she affords them. It was during their severest
distresses, when their most celebrated chief was a captive in their
hands, and was dragged through the country, as a spectacle for the sport
and derision of her people, that she places herself between them and
destruction.
“The spectacle of Pocahontas in an attitude of entreaty, with her hair
loose, and her eyes streaming with tears, supplicating her enraged
father for the life of Captain Smith, when he is about to crush the
head of his prostrate victim with a club, is a situation equal to the
genius of Raphael. And when the royal savage directs his ferocious
glance for a moment from his victim, to reprove his weeping daughter;
when, softened by her distress, his eye loses its fierceness, and he
gives his captive to her tears, the painter will discover a new occasion
for exercising his talents.
“In Pocahontas we have to admire, not the softer virtues only; she is
found, when the interest of her friends demands it, full of foresight
and intrepidity.
“When a conspiracy is planned for the extermination of the English, she
eludes the jealous vigilance of her father, and ventures at midnight,
through a thousand perils, to apprise them of their danger.
Public-domain text, read in full here on John Shaqi.
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