Powhatan; A Metrical Romance, in Seven CantosSmith, Seba
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Powhatan; A Metrical Romance, in Seven Cantos
Smith, Seba
Indians of North America -- Poetry; Powhatan, approximately 1550-1618 -- Poetry; Virginia -- Poetry
“From this time the number of the plantations and settlements, which
before amounted to eighty, was reduced to six, and their strength
concentrated by order of the governor about Jamestown and the
neighborhood. All works of public utility, as well as the exertions of
private industry, were entirely suspended; and the whole attention of
the colonists was bent on the means of defence, and on projects of
vengeance. A bloody and exterminating war ensued, in which treachery and
cruelty took place of manly courage and generous warfare. The laws of
war, and that humanity, which in the moments of victory give quarter to
the vanquished, were forgotten amid the suggestions of craving and
insatiable revenge. But the opportunities of retaliation, owing to the
swiftness of the natives, were not frequent enough to appease the
boiling spirit of vengeance. The Indian, pressed by hunger, or
stimulated by the hope of plunder or revenge, would on a sudden burst
from his concealment on his enemy, and if outnumbered and pursued, he
vanished amid the eternal midnight of his forests. Whole days he lies on
his belly in breathless silence, his color not distinguishable from the
earth on which he lies, and every faculty wound up to attention. He
watches the moment when he can strike with certainty, and his aim is as
fatal and unerring as destiny.
“At last the Indians were invited from their fastnesses by the hopes of
peace and the solemn assurances of safety and forgiveness. That inhuman
maxim of the Roman Church, ‘that no faith is to be kept with heretics,’
appears to have been adopted by the colonists in its fullest force.
“The habitations of the unfortunate people were beset at the same
moment; and an indiscriminate slaughter took place, without regard to
age, sex, or infancy. The horrid scene terminated by setting fire to the
huts and corn of the savages.”
FOOTNOTES:
[A] Powhatan. This name, in the northern and middle states, has usually
been accented on the second syllable. But in Virginia the accent is
thrown on the first and last syllables, which is undoubtedly according
to the Indian mode of pronunciation, and therefore the true one.
[B] Metoka, or Metoaka, which was the original name of Pocahontas, is
adopted in preference to the latter throughout this poem, on account of
its greater euphony.
[C] This name is sometimes pronounced by throwing a strong accent on
the fourth syllable. The pronunciation adopted in this work throws
a slight accent on the first, third, and fifth syllables, which is
believed to be more agreeable to the usage of the Indian tribes.
In pronouncing long words they seldom give much accent to any one
syllable, but utter each syllable with nearly the same intonation.
[D] Okee was the name of one of their principal gods, a rude image of
which was kept in most of the tribes.
[E] Kecoughtan was on the west side of Chesapeake Bay, where Hampton
now stands. James River was called, by the natives, Powhatan.
Public-domain text, read in full here on John Shaqi.
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