Practicable Socialism, New SeriesBarnett, S. A. (Samuel Augustus)
Religion
Practicable Socialism, New Series
Barnett, S. A. (Samuel Augustus)
Great Britain -- Social conditions -- 19th century; Social problems; Working class
My space is filled, and even a woman’s monologue must conclude some
time! But one paragraph more may be taken to put in a plea for space for
an Open-air Museum. It need not be a large and exhaustive one, for there
is something to be said for not making museums “too bright and good for
human nature’s daily food”. There might be objects of museum interest
scattered in groups about the green girdle which the young among my
readers will, I trust, live to see round all great towns; or an open-air
exhibit on a limited subject might be provided, as the late Mr. Burt
arranged so charmingly at Swanage; or the Shakespeare Gardens, already
started in some of the London County Council parks, might be further
developed; or the more ambitious schemes of Stockholm and Copenhagen
intimated; but whichever model is adopted the idea of open-air museums
(which might be stretched to include bird sanctuaries) is one which
should find a place in the gracious environment of our well-ordered
towns when they have come under the law and the gospel of the
Town-planning Act.
HENRIETTA O. BARNETT.
THE MISSION OF MUSIC.[1]
BY CANON BARNETT.
July, 1899.
[1] From “International Journal of Ethics”. By permission of the
Editor.
“We must have something light or comic.” So say those who provide music
for the people, and their words represent an opinion which is almost
universal with regard to the popular taste. The uneducated, it is
thought, must be unable to appreciate that which is refined or to enjoy
that which does not make them laugh and be merry.
Opinions exist, especially with regard to the tastes and wants of the
poor, by the side of facts altogether inconsistent with those opinions.
There are facts within the knowledge of some who live in the East End of
London which are sufficient, at any rate, to shake this general opinion
as to the people’s taste in music.
In Whitechapel, where so many philanthropists have tried “to patch with
handfuls of coal and rice” the people’s wants, the signs of ignorance
are as evident as the signs of poverty. There is an almost complete
absence of those influences which are hostile to the ignorance, not,
indeed, of the mere elements of knowledge (the Board Schools are now
happily everywhere prominent), but to the ignorance of joy, truth, and
beauty. Utility and the pressure of work have crowded house upon house;
have filled the shops with what is only cheap, driven away the
distractions of various manners and various dresses, and made the place
weary to the body and depressing to the mind.
Public-domain text, read in full here on John Shaqi.
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