Prairie Farmer, Vol. 56: No. 5, February 2, 1884.: A Weekly Journal for the Farm, Orchard and FiresideVarious
Science
Prairie Farmer, Vol. 56: No. 5, February 2, 1884.: A Weekly Journal for the Farm, Orchard and Fireside
Various
Agriculture -- United States -- Periodicals; Farm life -- Periodicals; United States -- Rural conditions -- Periodicals
Her breath was coming short and gasping. She saw through an open space
old Jasper cross the road at the foot of the tower. Oh, how far! The
seconds were treasures which Cromwell, with all his blood-bought
commonwealth, could not purchase from her. Up—ah—there, just above her
with its great brazen mouth and wicked tongue, the bell hung. A worm
eaten block for a step, and one small white had clasped itself above the
clapper—the other prepared, at the tremble, to rise and clasp its mate,
and the feet to swing off—and thus she waited. Jasper was old and slow,
but he was sure and it came at last. A faint quiver, and the young feet
swung from their rest, and the tender hands clasped for more than their
precious life the writhing thing. There was groaning and creaking of the
rude pulleys above, and then the strokes came heavy and strong. Jasper’s
hand had not forgot its cunning, nor his arm its strength. The tender,
soft form was swung and dashed to and fro. But she clung to and caressed
the cold, cruel thing. Let one stroke come and a thousand might
follow—for its fatal work would be done. She wreathed her white arms
about it, so that with every pull of the great rope it crushed into the
flesh. It tore her, and wounded and bruised; but there in the solemn
twilight the brave woman swung and fought with the curfew, and God gave
her victory.
The old bell-ringer said to himself: “Aye, Huldah, my work is done. The
pulleys are getting too heavy for my old arms; my ears, too, have failed
me. I dinna hear one stroke of the curfew. Dear old bell! it is my ears
that have gone false, and not thou. Farewell old friend.”
And just beyond the worn pavement a shadowy form again went flitting
past him. There were drops of blood upon the white garments, and the
face was like the face of one who walked in her sleep, and her hands
hung wounded and powerless at her side. Cromwell paused with his
horsemen under the dismantled May-pole before the village green. He saw
the man who was to die at sunset standing up in the dusky air, tall as a
king and beautiful as Absalom. He gazed with knitted brow and angry eye,
but his lips did not give utterance to the quick command that trembled
on them, for a girl came flying toward him. Pikeman and archer stepped
aside to let her pass. She threw herself upon the turf at his horse’s
feet; she lifted her bleeding and tortured hands to his gaze, and once
more poured out her prayer for the life of her lover; with trembling
lips she told him why Richard still lived—why the curfew had not
sounded.
Lady Maud looking out of her latticed window at the castle, saw the
great protector dismount, lift the fainting form in his arms and bear
her to her lover. She saw the guards release their prisoner, and she
heard the shouts of joy at his deliverance; then she welcomed the night
that shut the scene out from her envious eye and sculptured her in its
gloom.
Public-domain text, read in full here on John Shaqi.
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