Prairie FlowersHendryx, James B. (James Beardsley)
General
Prairie Flowers
Hendryx, James B. (James Beardsley)
Western stories
The Texan peered into the girl's face but it was deep in the shadows,
"Maybe not," he agreed, "I expect it's a good thing for all of us that
we can't see--what's ahead." The man abruptly transferred his attention
to the horse; gently slapping his neck and pulling playfully at his
twitching ears. His voice dropped into a soothing monotone: "Come on,
you old Blue, you. You old fraud, tryin' to make out like you're afraid.
Come on--take a chance. There's oats, an' hay, an' beddin' a foot thick
in there. An' a good stall to stand in instead of millin' around a
corral all night." The rope slackened, and securing a firm grip on the
halter, the Texan edged slowly toward the door, the horse following with
nervous, mincing steps, and nostrils aquiver. From her place beside the
corral, the girl watched in astonishment as man and horse passed from
sight. From the black interior of the stable the voice of the Texan
sounded its monotonous drone, and presently the man himself appeared and
taking the lantern returned to attend to the horse. Alone in the
darkness, Janet wondered. She knew the big blue roan, and she had
expected a fight. A few minutes later the man reappeared, chuckling:
"He's learnt what oats are," he said, "ate 'em out of my hand, first.
Now he's goin' after 'em like he'd tear the bottom out of the feed box.
I wonder if your Dad would sell Blue? I'll buy him, an' gentle him, an'
then----"
"And then--what?" asked the girl after a moment of silence. She received
no answer, and with a trace of impatience she repeated the question.
"What would you do then?"
"Why--then," answered the man, abstractedly, "I don't know. I was just
thinkin' maybe it ain't such a good thing after all we can't see farther
ahead."
"Did you find your friend?" Janet asked abruptly, as they walked toward
the house.
"No." In spite of herself, the dead tonelessness of the man's voice
aroused her to sudden pity. She remembered the pain and the misery in
his eyes. Perhaps after all, he loved this woman--loved her
honestly--yet, how could he love honestly another man's wife? Her lips
tightened, as she led the way into the house, and without a word, busied
herself at the stove.
Hat in hand, the Texan stood beside the table, and as his glance strayed
from the girl, it fell upon a small square of paper upon a fold of a
blanket. Mechanically he glanced at the printed lines, and at the first
word, snatched the paper from the table and held it to the light.
The girl turned at the sound: "Oh!" she cried, and stepped swiftly
forward as if to seize it from his hand. Her face was flaming red: "Dad
left it there--and then--you came--and I--I--forgot it."
The man read the last word and carefully returned the paper to the
table. "I didn't aim to read your papers," he apologized, "but I
couldn't help seein' my own name--an' hers--an' I thought I had the
right--didn't I have the right?"
Public-domain text, read in full here on John Shaqi.
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