Milton attended this dance, and saw Daddy for the first time earning his
money pleasantly. From that time on the associations around his
personality were less severe, and they came to like him better. He came
early, with his old fiddle in a time-worn white-pine box. His hair was
neatly combed to the top of his long, narrow head, and his face was very
clean. The boys all greeted him with great pleasure, and asked him where
he would sit.
"Right on that table, sir; put a chair up there."
He took his chair on the kitchen-table as if it were a throne. He wore
huge moccasins of moose-hide on his feet, and for special occasions like
this added a paper collar to his red woolen shirt. He took off his coat
and laid it across his chair for a cushion. It was all very funny to the
young people, but they obeyed him laughingly, and while they "formed
on," he sawed his violin and coaxed it up to concert pitch, and twanged
it and banged it into proper tunefulness.
"A-a-a-ll-ready there!" he rasped out, with prodigious force. "Everybody
git into his place!" Then, lifting one huge foot, he put the fiddle
under his chin, and, raising his bow till his knuckles touched the
strings, he yelled, "Already, G'LANG!" and brought his foot down with a
startling bang on the first note. _Rye doodle doo, doodle doo._
As he went on and the dancers fell into rhythm, the clatter of heavy
boots seemed to thrill him with old-time memories, and he kept
boisterous time with his foot while his high, rasping nasal rang high
above the confusion of tongues and heels and swaying forms.
"_Ladies_' gran' change! FOUR hands round! _Bal_-ance all! _Elly_-man
left! Back to play-cis."
His eyes closed in a sort of intoxication of pleasure, but he saw all
that went on in some miraculous way.
"_First_ lady lead to the right--_toodle rum rum! Gent_ foller after
(step along thar)! Four hands round"----
The boys were immensely pleased with him. They delighted in his antics
rather than in his tunes, which were exceedingly few and simple. They
seemed never to be able to get enough of one tune which he called
"Honest John," and which he played in his own way, accompanied by a
chant which he meant, without doubt, to be musical.
"HON-ers tew your pardners--_tee teedle deedle dee dee dee dee!_ Stand
up straight an' put on your style! _Right_ an' left four"----
The hat was passed by the floor-manager during the evening, and Daddy
got nearly three dollars, which delighted Milton very much.
At supper he insisted on his prerogative, which was to take the
prettiest girl out to supper.
"Look-a-here, Daddy, ain't that crowdin' the mourners?" objected the
others.
"What do you mean by that, sir? No, sir! Always done it, in Michigan and
Yark State both; yes, sir."
Public-domain text, read in full here on John Shaqi.
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