Cristina's feeling, and he forces us to sympathise a little with her anger. There are multitudes of poems of this class in Browning. He wants us to know all the strange possibilities of the human soul, bad or good, and he never hesitates because a subject may be shocking to weak nerves. It is just because he does not care about public feeling, ignorant public opinion, upon these matters, that he manages to give us such exact truth; he is not afraid. For a little bit of truth thus exemplified--this is not ugly--let us take a little piece entitled "Which?" Here is another picture of the manners of the old French court, a very corrupt court and very luxurious. You must read Taine's "Ancien Régime" to understand what its morals were. But let us turn to the little picture. Three great ladies are talking with a priest about love--a fashionable priest, a priest of the old age, ready to make love or to say mass just according as it suited his private interest. A very good priest could scarcely have existed in the court; one had to be very clever and very subtle to live there. The conversation of these four persons gives us a hint of the feeling of the age. Only one woman really seems to say what she thinks; and she says what she thinks only because she is the most clever of the three. So, the three Court-ladies began Their trial of who judged best In esteeming the love of a man: Who preferred with most reason was thereby confessed Boy-Cupid's exemplary catcher and eager; An Abbé crossed legs to decide on the wager. First the Duchesse: "Mine for me-- Who were it but God's for Him, And the King's for--who but he? Both faithful and loyal, one grace more shall brim His cup with perfection: a lady's true lover, He holds--save his God and his king--none above her." "I require"--outspoke the Marquise-- "Pure thoughts, ay, but also fine deeds: Play the paladin must he, to please My whim, and--to prove my knight's service exceeds Your saint's and your loyalist's praying and kneeling-- Show wounds, each wide mouth to my mercy appealing." Then the Comtesse: "My choice be a wretch, Mere losel in body and soul, Thrice accurst! What care I, so he stretch Arms to me his sole saviour, love's ultimate goal, Out of earth and men's noise--names of 'infidel,' 'traitor,' Cast up at him? Crown me, crown's adjudicator!" And the Abbé uncrossed his legs, Took snuff, a reflective pinch, Broke silence: "The question begs Much pondering ere I pronounce. Shall I flinch? The love which to one and one only has reference Seems terribly like what perhaps gains God's preference."