English poetry -- 19th century -- History and criticism; Pre-Raphaelitism in literature
The owls on the crest are the emblem of the family. The knight has
been waiting in his tent according to rule, until the signal is given;
and his father and his retainers probably helped to arm him there. He
feels no emotion except at the moment of bidding his father good-bye,
and then he knows that there are tears in his own eyes, because the owl
crest on his father's hood suddenly appears dim. Then, as the signal
is given, he walks out of the tent into the lists, only to hear a roar
of hatred and abuse go up from all the circles of seats. The friends
of the dead are evidently in great force, and he has no friend except
his father and his retainers. And they shout at him, his enemies,
telling him what he has done--how he cut off the hands of the knight
and cut off his head and carried it upon the top of a spear for three
miles, carried it above his own banner to his own castle. This was
indeed considered an unknightly thing in those days, for such was the
treatment given to common people in war, not to knights or men of rank.
Then he sees the man with whom he must fight, waiting for him, all in
armour, with white linen over his arm, to indicate that he is fighting
for the cause of truth. At this Roger can very well laugh; and he
remarks that the face of the champion's lady looks even whiter than
the linen upon her lord's arm. She has reason, perhaps, to be afraid
for him. And though he has not much time for thinking, Roger remembers
his own beloved, waiting for him, remembers even how he first met her.
Addressing her in thought, he says:
And these say: "No more now my knight,
Or God's knight any longer"--you
Being than they so much more white,
So much more pure and good and true,
Will cling to me forever--there,
Is not that wrong turn'd right at last
Through all these years, and I wash'd clean?
Say, yea, Ellayne; the time is past,
Since on that Christmas-day last year
Up to your feet the fire crept;
And the smoke through the brown leaves sere
Blinded your dear eyes that you wept;
Was it not I that caught you then
And kiss'd you on the saddle-bow?
Did not the blue owl mark the men
Whose spears stood like the corn a-row?
Evidently she has reason to love him and his house; did he not save
her from the fire?--did he not come with his spearmen and crush her
enemies, and take her away upon his horse to safety? And was not that
enough to atone for whatever other wrong he might have done? But he has
only a moment in which to think all this, for the trumpet is about to
sound for the fight, and there are other things to think about. One of
these is that his antagonist is a very good man, difficult to overcome;
the other is that there is danger for him even if he conquers, because
there are so many present who hate him.
Public-domain text, read in full here on John Shaqi.
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