English poetry -- 19th century -- History and criticism; Pre-Raphaelitism in literature
course, death for the man who slew her, for her kindred were bound to
avenge her. So she is defying him in every way.
The sun was fading from the room,
But her eyes were bright in the change and the gloom,
"Sharp Sword," she sang,--"and death is sure,
But over all doth love endure."
She stood up shining in her place
And laughed beneath his deadly face.
Instead of the sunbeam gleamed a brand,
The hilts were hard in Hallbiorn's hand.
The last line contains a phrase from old Northern war poetry. To say
that the hilt of a man's sword was hard in his hand, signifies that
he was a terrible swordsman, accustomed to mighty blows. But Morris
here makes a little departure from the original chronicle. He makes
Hallbiorn pass his sword through the woman's body. As a matter of
fact he did nothing of the kind; he simply cut her head off at a
single blow. Very dramatic, however, is his telling of the subsequent
flight of Hallbiorn, and the pursuit by Snæbiorn. Hallbiorn's men
are surprised at the fact that he does not hold his ground, for they
know nothing of what happened in the house, and one of them says,
"Where shall we sleep to-night?" Hallbiorn answers grimly, "Under the
ground." Then his retainers know for the first time that they are
going to be attacked. The attacking party consists of twelve men.
Hallbiorn's retainers urge their master to hasten forward; it is still
possible, they think, to escape. But he stops his horse and leaps down,
exclaiming:
"Why should the supper of Odin wait?
Weary and chased I will not come
To the table of my father's home."
That is a fine expression about the supper of Odin, referring to the
hope of every brave man to enter, at his death, into Valhalla, the
hall of Odin, and to sup with the gods. And to enter there one had to
be killed in battle. So you can see the fierce humour of Hallbiorn's
remark that he does not want to come late to the supper of the gods,
and to keep the feast waiting. Snæbiorn does not speak. Hallbiorn
only laughs. He kills five men; then one of his feet is cut off, but
he rushes forward upon the bleeding stump, and kills two more before
he is overpowered. It was a terribly savage world, the old Norse
world; but we like to read about it, and we cannot help loving the
splendid courage of the men and women who passed their lives among such
tragedies, fearing nothing but loss of honour.
Several other Norse subjects have been treated by Morris with equal
success; and one is remarkable for the strange charm of a refrain used
in it, a refrain from the Norse. It is called "The King of Denmark's
Sons," and it is the story of a fratricide. King Gorm of Denmark had
two sons, Knut and Harald:
Fair was Knut of face and limb,
As the breast of the Queen that suckled him;
But Harald was hot of hand and heart
As lips of lovers ere they part.
Public-domain text, read in full here on John Shaqi.
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