English poetry -- 19th century -- History and criticism; Pre-Raphaelitism in literature
And how does he think of this new divinity, Christ? As a Roman citizen
necessarily, and to a Roman citizen Christ was nothing more than a
vulgar, common criminal executed by Roman law in company with thieves
and murderers. Therefore he addresses such a divinity with scorn, even
in the hour of his triumph:
O lips that the live blood faints in, the leavings of racks
and rods!
O ghastly glories of saints, dead limbs of gibbeted Gods!
Though all men abase them before you in spirit, and all
knees bend,
I kneel not neither adore you, but standing, look to the end!
To understand the terrible bitterness of this scorn, it is necessary
for the student to remember that a Roman citizen could not be tortured
or flogged or gibbeted. Such punishments and penalties were reserved
for slaves and for barbarians. Therefore to a Roman the mere fact
of Christ's death and punishment--for he was tortured before being
crucified--was a subject for contempt; accordingly he speaks of such
a divinity as the "leavings of racks and rods"--that is, so much of
a man's body as might be left after the torturers and executioners
had finished with it. Should a Roman citizen kneel down and humble
himself before that? A little while, some thousands of years, perhaps,
Christianity may be a triumphant religion, but all religions must
die and pass away, one after another, and this new and detestable
religion, with its ugly gods, must also pass away. For although the
old Roman has studied too much philosophy to believe in all that his
fathers believed, he believes in a power that is greater than man and
gods and the universe itself, in the unknown power which gives life
and death, and makes perpetual change, and sweeps away everything
that man foolishly believes to be permanent. He gives to this law of
impermanency the name of the goddess of death, but the name makes
little difference; he has recognised the eternal law. Time will sweep
away Christianity itself, and his description of this mighty wave of
time is one of the finest passages in all his poetry:
All delicate days and pleasant, all spirits and sorrows are
cast
Far out with the foam of the present that sweeps to the
surf of the past:
. . . . . . . . .
Where, mighty with deepening sides, clad about with the
seas as with wings,
And impelled of invisible tides, and fulfilled of unspeakable
things,
White-eyed and poisonous-finned, shark-toothed and serpentine-curled,
Rolls, under the whitening wind of the future, the wave of
the world.
Public-domain text, read in full here on John Shaqi.
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