moment she gazed on him, as her color increased in richness. His hand was carelessly thrown over an arm of the sofa; she stooped towards it with her face gently, but with an air of modesty that shone in her very figure. Denbigh felt the warmth of her breath, but her lips did not touch it. Had he been inclined to judge the actions of Emily Moseley harshly, it were impossible to mistake the movement for anything but the impulse of natural feeling. There was a pledge of innocence, of modesty in her countenance, that would have prevented any misconstruction; and he continued quietly awaiting what the preparations on her little mahogany secretary were intended for. Mrs. Wilson entertained a great abhorrence of what is commonly called accomplishments in a woman; she knew that too much of that precious time which could never be recalled, was thrown away in endeavoring to acquire a smattering in what, if known, could never be of use to the party, and what can never be well known but to a few, whom nature and long practice have enabled to conquer. Yet as her niece had early manifested a taste for painting, and a vivid perception of the beauties of nature, her inclination had been indulged, and Emily Moseley sketched with neatness and accuracy, and with great readiness. It would have been no subject of surprise, had admiration, or some more powerful feeling, betrayed to the artist, on this occasion, the deception the young man was practising. She had entered the room from her walk, warm and careless; her hair, than which none was more beautiful, had strayed on her shoulders, freed, from the confinement of the comb, and a lock was finely contrasted to the rich color of a cheek that almost burnt with the exercise and the excitement. Her dress, white as the first snow of the winter; her looks, as she now turned them on the face of the sleeper, and betrayed by their animation the success of her art; formed a picture in itself, that Denbigh would have been content to gaze on for ever. Her back was to a window that threw its strong light on the paper--the figures of which were reflected, as she occasionally held it up to study its effect, in a large mirror so placed that Denbigh caught a view of her subject. He knew it at a glance--the arbor--the gun--himself, all were there; it appeared to have been drawn before--it must have been, from its perfect state, and Emily had seized a favorable moment to complete his own resemblance. Her touches were light and finishing, and as the picture was frequently held up for consideration, he had some time allowed for studying it. His own resemblance was strong; his eyes were turned on herself, to whom Denbigh thought she had not done ample justice, but the man who held the gun bore no likeness to John Moseley, except in dress. A slight movement of the muscles of the sleeper's mouth might have betrayed his consciousness, had not Emily been too intent on the