In tracing out the evidence of ancient occupation of the shores of Lake
Superior, I have, on repeated visits, coasted its shores for hundreds of
miles in canoes; and camped for weeks in some of its least accessible
wilds. The force of the evidence is slowly appreciated, even by careful
personal observation; but some description of the ancient copper region
may help the reader to estimate the lapse of time since its
forest-glades and rocky promontories were enlivened by the presence of
industrious miners. The memorials of Time’s unceasing operations reach
indeed to periods long prior to the earliest presence of man, and
present certain lake phenomena, on a scale only conceivable by those who
have sailed on the bosom of these fresh-water seas with as boundless a
horizon as in mid-Atlantic; and who have experienced the violence of the
sudden storms to which they are liable. But while the same broad
ocean-like expanse, and the violence of their stormy moods, characterise
Ontario, Erie, Huron, and Michigan: it is only on Lake Superior that the
traveller witnesses the grandeur and wild ruggedness of scenery
commensurate with his preconceived ideas of such inland seas. Along its
northern and western shores bold cliffs and rocky headlands frown in
savage grandeur, from amid the unbroken wastes of forest that reach to
the frozen regions around the Hudson Bay, while the gentler coast-lines
of its southern shores are varied by some of the most singular
conformations, wrought out of its rocky walls by the action of the
waves. Among such rock-formations, no features are so remarkable as
those presented by a portion of the extensive range of sandstone cliffs,
which project in jagged and picturesque masses from the southern shore,
soon after passing the Grand Sable; and to which fresh interest has been
given by the interweaving of the Algonquin legends of the locality into
Longfellow’s Indian _Song of Hiawatha_.
Public-domain text, read in full here on John Shaqi.
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