The arts thus practised on the great plateau extended to the most
southern limits of the North American continent. The ancient graves of
the Isthmus of Panama have been ransacked by thousands in recent years,
from the temptation which the gold relics they contain hold out to their
explorers. Those include representations of beasts, birds, and fishes,
frogs, and other objects, imitated from nature, often with great skill
and ingenuity. One gold frog which I examined had the eyes hollow, with
an oval slit in front, and within each a detached ball of gold, which
appeared to have been executed in a single casting. This insertion of
detached balls is frequently met with in the pottery, as well as in the
goldsmith’s work of the Isthmus, and is singularly characteristic of a
peculiar phase of local art. Human figures, and monstrous or grotesque
hybrids wrought in gold, with the head of the cayman, the eagle, and
other animals, attached to the human form, are also found in the same
graves; but, so far as my own opportunities of observation enable me to
judge, the human figure generally exhibits inferior imitative skill and
execution to the representations of other animate subjects. But all
alike display abundant metallurgic art. Soldering as well as casting was
known to the ancient goldsmith, and the finer specimens have been
finished with the hammer and graving-tool. Judging from the condition of
the human remains found in those huacas of the peninsula, they are
probably of a much higher antiquity than the era of Mexican
civilisation; and lying as they do in the narrow isthmus between the
twin continents, they suggest the probability of a common source for the
origin of Peruvian and Aztec arts.
But while the Mexicans wrought their ingenious toys, lavished their
inexhaustible resources of gold and silver in personal decoration, and
adorned their public edifices with scarcely less boundless profusion
than the Peruvians, they had learned to some extent the practical value
of gold and other metals as a convenient currency. By means of this
equivalent for the gold and silver coinage of Europe, the interchange of
commodities in the great markets of Mexico was facilitated, and an
important step in the progress towards a higher stage of civilisation
secured. This metallic currency consisted of pieces of tin cut in the
form of a =T= or stamped with a similar character, and of transparent
quills filled with gold dust. These were apparently regulated to a
common standard by their size: for the use of scales and weights, with
which the Peruvians were familiar, appears to have been unknown in
Mexico.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account