be found to the eastward of the water-shed between the Mississippi and
the Atlantic, in the States of Pennsylvania, New York, or Virginia; and
they have been rightly designated, from their chief site, the Ancient
Monuments of the Mississippi Valley, including those of its tributaries,
and especially of the valley of the Ohio. There their localities fully
accord with those which, in the primitive history of the Old World,
reveal the most abundant traces of an aboriginal population, in their
occupation of the broad alluvial terraces, or “river bottoms,” as they
are styled. To the north the memorials of an ancient population are of a
different character; and the earthworks in the vicinity of the Great
Lakes must be classed by themselves, as indicating distinct customs and
rites.
The remarkable works thus traceable over so large an extent of the North
American continent admit of being primarily arranged into the two
subdivisions of Enclosures and Mounds, and those again embrace a variety
of works evidently designed for very different uses. Under the first of
these heads are included the fortifications or strongholds; the sacred
enclosures, destined, as is assumed, for religious rites; and numerous
miscellaneous works of the same class, generally symmetrical in
structure, but the probable use of which it is difficult to determine.
The second subdivision embraces the true mound-buildings, including what
have been specially designated sacrificial, sepulchral, temple, and
animal-mounds. All partake of characteristics pertaining to a broad
level country; but this is nowhere so strikingly apparent as where
mounds seem to have been purposely erected as observatories or points of
sight from whence to survey the works elaborated on a gigantic scale on
the level plain. In addition to the striking features which their
external aspect exhibits: wherever they have been excavated interesting
relics of the ancient builders have been disclosed, adding many graphic
illustrations of their social condition, and of the artistic and
industrial arts of the period to which they pertain.
Public-domain text, read in full here on John Shaqi.
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