charioteer at some American race; why not the curious hippodrome, or,
more correctly here, cynodrome, with its starting-cells (carceres), its
course, its meta, and road of triumph to the town?”[89]
It was not necessary for the fanciful interpreter to resort to remote
Kamschatka for the model of his dog-drawn sledge, for such are common
enough among the Indians of the North-west. But a general survey of the
earthworks of Wisconsin in no degree tends to confirm this
interpretation, unless in so far as such animal-mounds may have been
monumental memorials, and trophies of achievements in wars and the
chase. As such they are executed on a scale which gives evidence of the
systematic expenditure of an enormous amount of labour; and as the
opinion has latterly found favour with some that the great mounds are
simply the result of many successive interments; and the marks of
regular stratification in some of them have been adduced in confirmation
of this idea: the corresponding proportions of the animal-mounds are
significant. In them at least a preconceived design has guided the
builders from the outset; and some adequate idea of the magnitude of the
Dade County group will be formed from a correct estimate of the
proportions of the supposed charioteer. He is figured, as is usual in
similar mounds, with his limbs extended, and with arms of
disproportionate length; possibly owing to the design originally
representing some implement in each hand. From head to foot he measures
one hundred and twenty-five feet, and one hundred and forty feet from
the extremity of one arm to that of the other. The head alone is a mound
twenty-five feet in diameter, and nearly six feet in highest elevation
from the surrounding soil. Measuring the whole by this scale, it is
abundantly apparent that a group, including altogether fifteen
mound-figures, must have been a work of immense time and labour, and
doubtless owed its origin to some motive or purpose of corresponding
magnitude in the estimation of its constructors.
Public-domain text, read in full here on John Shaqi.
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