Before,
however, this conclusion can be accepted, it is indispensable that we
test, by existing evidence, the descriptions of Mexican art and
architecture handed down to us by chroniclers of the sixteenth and
seventeenth centuries.
A peculiar style is recognised as pertaining to the native architecture
of America, which it has been the favourite fancy of American
antiquaries to trace to an Egyptian or Phœnician source. Alike in
general character and mode of construction, in the style of sculpture,
and the hieroglyphic decorations which enrich their walls: the ruined
palaces and temples of Mexico, as well as of Yucatan and Central
America, have been supposed to reproduce striking characteristics of the
Nile valley. But the experienced eye of Stephens saw only elements of
contrast instead of comparison; and while Prescott sums up his history
of Mexican conquest with this conclusion, “that the coincidences are
sufficiently strong to authorise a belief that the civilisation of
Anahuac was, in some degree, influenced by that of eastern Asia,” he
adds, that the discrepancies are such as to carry back the communication
to a period so remote as to leave its civilisation, in all its essential
features, peculiar and indigenous.
It is not always easy to determine the characteristics of some of the
most famous monuments of Mexican art. The ruined city of Aztalan, on the
western prairies: after filling the imagination with glowing fancies of
a Baalbek or Palmyra of the New World, from whence the Aztecs had
transplanted the arts of an obliterated civilisation to the Mexican
plateau, shrunk before the gaze of a truthful surveyor into a mere group
of mounds and earthworks, presenting no other analogies than those which
class them with the works of the American Mound-Builders. It may be,
however, that a critical survey will reveal traits in the later Aztecs
of Anahuac, rendering such an ancestral birth-land not wholly
inconsistent with their actual condition when brought into contact with
the civilisation of Europe. Such at least seems to be the tendency of
modern disclosures; if, indeed, they do not point to the possibility
that much even of the latest phase of Mexican civilisation may present
closer analogies to the actual Aztalan of the Wisconsin prairies than to
the fancied mother-city of the Aztecs.
Public-domain text, read in full here on John Shaqi.
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