The supposition that the cups on large boulders and small sandstone
grinders may alike be referred to the manipulations of the stone
tool-maker, leaves the more elaborate accompaniments of concentric rings
and linear devices unaccounted for; though it seems to me less
improbable that these additions—which are thus found among other traces
of the Cherokees and Shawnees of the new world, as well as amid the
remains of Europe’s prehistoric races,—may be no more than supplements
of an idle fancy added to the hollows which originated in the needful
grinding of flint and stone implements into their required forms, than
that they are mysterious religious symbols. Yet there is a fascination
in the idea that they are “archæological enigmas”: Phœnician, Mithraic,
Sabean, or Druidical; “lapidary hieroglyphics and symbols,” as Sir J. Y.
Simpson assumes, “the key to whose mysterious import has been lost, and
probably may never be regained.”[42] “They are,” he again says, “too
decidedly ‘things of the past’ for even the most traditional of human
races to have retained the slightest recollection of them”; and, as in
his attempt to determine the race to which to refer them he follows up
the glimpses of their occurrence beyond the British Isles, he asks: “Are
they common in countries which the Celtic race never reached? still
more, are they to be found in the lands of the Lap, Finlander, or
Basque, which apparently neither the Celt nor any other Aryan ever
occupied? Do they appear in Asia within the bounds of the Aryan or
Semitic races? Or can they be traced in Africa, or in any localities
belonging to the Hamitic branches of mankind? Do they exist upon the
stones or rocks of America or Polynesia?”[43] If my theory is correct,
they may be looked for in all. It is with tender memories of a dearly
valued friend that I render the response, that such sculptured cups do
exist upon the stones and rocks of America, and amply justify the
reference of those of the Old World to Europe’s neolithic age, when the
men of its polished Stone Period were grinding and working into
perfected form the most prized relics of their laborious art.
Public-domain text, read in full here on John Shaqi.
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