But similar traces of primitive art, assigned to a still earlier epoch,
have been recently reported from the vicinity of the Dardanelles. Mr.
Frank Calvert describes the discovery of numerous stone implements, some
of them of large size, and much worn, imbedded in drift two or three
hundred feet thick, underlying stratified rocks, as he believes, of the
miocene period. Flint implements are rare, and the most common material
is red or other coloured jasper. Among fossil bones, teeth, and shells
from the same formation, remains of the Dinotherium, and the shell of a
species of Melania pertaining to the miocene epoch, have been
identified; and Mr. Calvert writes to the _Levant Herald_:—“From the
face of a cliff composed of strata of that period, at a geological depth
of 800 feet, I have myself extracted a fragment of the joint of a bone
of either a dinotherium or a mastodon, on the convex side of which is
deeply incised the unmistakable figure of a horned quadruped, with
arched neck, lozenge-shaped chest, long body, straight forelegs, and
broad feet. There are also traces of seven or eight other figures,
which, together with the hind quarters of the first, are nearly
obliterated. The whole design encircles the exterior portion of the
fragment, which measures nine inches in diameter, and five in thickness.
I have also found, not far from the site of the engraved bone, in
different parts of the same cliff, a flint flake, and some bones of
animals fractured longitudinally, obviously by the hand of man, for the
purpose of extracting the marrow, according to the practice of all
primitive races.”[47]
These traces of primitive art Mr. Calvert recognises as “conclusive
proofs of the existence of man during the miocene period of the tertiary
age.” They at least furnish additional illustrations of his intellectual
activity, however remote the antiquity to which he is traced; and show
the same ideas of comparison which enter so largely, not only into
modern artistic design, but into much of the rhetoric and poetry of
later times.
Public-domain text, read in full here on John Shaqi.
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