the Tigris-Euphrates drainage system and its natural extensions--I
believe we may lay our fingers on the traces of a peculiar way of
decorating pottery, which we call Ubaidian. This cursive and even
slap-dash decoration, it appears to me, was part of a new cultural
tradition which arose from the adjustments which immigrant northern
farmers first made to the new and challenging environment of southern
Mesopotamia. But exciting as the idea of the spread of influences of
the Ubaid tradition in space may be, I believe you will agree that the
consequences of the growth of that tradition in southern Mesopotamia
itself, as time passed, are even more important.
THE WARKA PHASE IN THE SOUTH
So far, there are only two radiocarbon determinations for the Ubaidian
assemblage, one from Tepe Gawra in the north and one from Warka in the
south. My hunch would be to use the dates 4500 to 3750 B.C., with a
plus or more probably a minus factor of about two hundred years for
each, as the time duration of the Ubaidian assemblage in southern
Mesopotamia.
Next, much to our annoyance, we have what is almost a temporary
black-out. According to the system of terminology I favor, our next
“assemblage” after that of Ubaid is called the _Warka_ phase, from
the Arabic name for the site of Uruk or Erich. We know it only from
six or seven levels in a narrow test-pit at Warka, and from an even
smaller hole at another site. This “assemblage,” so far, is known only
by its pottery, some of which still bears Ubaidian style painting. The
characteristic Warkan pottery is unpainted, with smoothed red or gray
surfaces and peculiar shapes. Unquestionably, there must be a great
deal more to say about the Warkan assemblage, but someone will first
have to excavate it!
THE DAWN OF CIVILIZATION
After our exasperation with the almost unknown Warka interlude,
following the brilliant “false dawn” of Ubaid, we move next to an
assemblage which yields traces of a preponderance of those elements
which we noted (p. 144) as meaning civilization. This assemblage
is that called _Proto-Literate_; it already contains writing. On
the somewhat shaky principle that writing, however early, means
history--and no longer prehistory--the assemblage is named for the
historical implications of its content, and no longer after the name of
the site where it was first found. Since some of the older books used
site-names for this assemblage, I will tell you that the Proto-Literate
includes the latter half of what used to be called the “Uruk period”
_plus_ all of what used to be called the “Jemdet Nasr period.” It shows
a consistent development from beginning to end.
Public-domain text, read in full here on John Shaqi.
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