The mystery of the White Maria I have never tried to solve. It is enough
to know that it was and to wonder if I shall ever again see anything so
lovely. The White Maria, as has been mentioned, was a large, square box
of black oilcloth. It’s inner surface, however, was white, soiled to a
neutral gray. On our outward journeys when I noticed this at all it was
only to feel the tragedy of life with a greater intensity. But on the
return.... To state in words what we saw when returning gives but little
idea of it. We were always tired, silent and a trifle sleepy when we
started for home, and we at once leaned back and quietly watched for It.
It often appeared but sometimes it refused to show itself for days, and
I then used to wonder if I had ever really seen it. The perpetual
fascination it had for us was a most complicated one, consisting as it
did of the mystery, the beauty, the unreality and the reality of the
thing itself, together with the fact that Mrs. White was somehow being
thwarted. The black canopy of the White Maria, in a word, sought to
imprison us, to impose an impenetrable barrier between us and the
outside world, but as we jogged along, the houses, the trees, the
horses, the wagons and the people we passed were reproduced in miniature
on one of the inside walls. The details were always clear enough to let
us know where we were; frequently they were perfect. The little
panorama, furthermore, was without color, which gave it an additional,
ghostly charm. I have never been hypnotized, but I think in staring at
this dreamlike, dissolving procession I used to be very near the
hypnotic state. At times when the White Maria drew up at our front door
I was asleep and it would take me half an hour or more to get back again
into my body--I can remember the sensation even if I can’t describe it.
The moving-picture shows of to-day seem to me like a crude and vulgar
attempt to recall and commercialize the age when we were mystics and had
visions.
THE END
Public-domain text, read in full here on John Shaqi.
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