Prejudices, fifth seriesMencken, H. L. (Henry Louis)
History
Prejudices, fifth series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
Unluckily, there is seldom anything in this mail to bulge his eyes
and make his heart go pitter-pat. What he finds in it, day in and day
out, is simply the same dull, obvious, shoddy stuff--the same banal
and threadbare ideas set forth in the same flabby and unbeautiful
words. They all seem to write alike, as, indeed, they all seem to think
alike. They react to stimuli with the machine-like uniformity and
precision of soldiers in a file. The spectacle of life is to all of
them exactly the same spectacle. They bring no more to it, of private,
singular vision, than so many photographic lenses. In brief, they are
unanimously commonplace, unanimously stupid. Free education has cursed
them with aspirations beyond their congenital capacities, and they
offer the art of letters only the gifts suitable to the lowly crafts
of the jazz-baby and the schoolma’m. They come from an intellectual
level where conformity seems the highest of goods, and so they lack
the primary requisite of the imaginative author: the capacity to see
the human comedy afresh, to discover new relations between things,
to discover new significances in man’s eternal struggle with his
fate. What they have to say is simply what any moderately intelligent
suburban pastor or country editor would have to say, and so it is not
worth hearing.
This disparity between aspiration and equipment runs through the whole
of American life; material prosperity and popular education have made
it a sort of national disease. Two-thirds of the professors in our
colleges are simply cans full of undigested knowledge, mechanically
acquired; they cannot utilize it; they cannot think. We are cursed
likewise with hordes of lawyers who would be happier and more useful
driving trucks, and hordes of doctors who would be strained even
as druggists. So in the realm of beautiful letters. Poetry has
become a recreation among us for the intellectually unemployed and
unemployable: persons who, a few generations ago, would have taken it
out on china-painting. The writing of novels is undertaken by thousands
who lack the skill to describe a dog-fight. The result is a colossal
waste of paper, ink and postage--worse, of binding cloth and gold
foil. For a great deal of this drivel, by one dodge or another, gets
into print. Many of the correspondence-school students, after hard
diligence, learn how to write for the cheap magazines; not a few of
them eventually appear between covers, and are solemnly reviewed.
Public-domain text, read in full here on John Shaqi.
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