Prejudices, fifth seriesMencken, H. L. (Henry Louis)
History
Prejudices, fifth series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
All this becomes the more remarkable when one considers the peculiar
richness of the American scene in sharply-outlined and racy characters.
Our national ideas, indeed, are mainly third-rate, and some of them are
almost idiotic, but taking one year with another we probably produce
more lively and diverting people than all the rest of the world taken
together. More, these lively and diverting people tend to cluster into
types. Mark Twain put half a dozen of them into “Huckleberry Finn” and
as many more into “Roughing It,” a novel disguised as history. Montague
Glass collared a whole flock for his Potash and Perlmutter stories, and
Ring Lardner has got another flock into his studies of the American
bounder. But the younger novelists, or at least the overwhelming
majority of them, stick to their sticks. Thus even the most salient and
arresting of American types still lack historians, and seem doomed to
perish and be forgotten with the Bill of Rights. Babbitt stood around
for a dozen years, waiting for Lewis; the rest of the novelists of
the land gaped at him without seeing him. How long will they gape at
the American politician? At the American university president? At the
American policeman? At the American lawyer? At the American insurance
man? At the Prohibition fanatic? At the revival evangelist? At the
bootlegger? At the Y. M. C. A. secretary? At the butter-and-egg man? At
the journalist?
2
I have put the politician at the top of my list. He probably embodies
more typical American traits than any other; he is, within his limits,
the arch-Americano. Yet how seldom he gets into a novel! And how
seldom, having got there, is he real! I can recall, indeed, but one
American political novel of any value whatever as a study of character,
and that is Harvey Fergusson’s story of Washington, “Capitol Hill”--a
series of casual sketches, but all of them vivid and true. Fergusson
really understands the American politician. There is, in “Capitol
Hill,” no division of the _dramatis personæ_ between Democrats
and Republicans, progressives and reactionaries, materialists and
idealists, patriots and traitors; the only division is between men and
women who have something, and men and women who want it. In that simple
fact lies most of the book’s curious reality. For the truth about
Washington is that it is not a town of politics, in the conventional
and romantic sense; it is, if anything, a town almost devoid of
politics. The people in the industrial cities and out on the farms take
political ideas seriously; what they cherish in that department they
refuse passionately to surrender. But so far as I know there are not a
dozen professional politicians in Washington, high or low, who would
not throw overboard, instantly and gladly, every political idea they
are assumed to be devoted to, including especially every political idea
that has helped them into public office, if throwing it overboard would
help them to higher and gaudier and more lucrative office.
Public-domain text, read in full here on John Shaqi.
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