Prejudices, fifth seriesMencken, H. L. (Henry Louis)
History
Prejudices, fifth series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
Nevertheless, Wendell was himself a walking proof that all he admired
was passing into the shadows, for, try as he would, he could not, as
a contemporary man, squeeze himself into the old Puritan mold. Over
and over again he would make an effort to do so, but always, as he
struggled with the lid, a diabolical, iconoclastic mood would overcome
him, and he would leap up and emit a ribald yell. Harvard, startled
and uneasy, never knew what to make of him. His principles were
apparently impeccable; he was, in the current phrase, a consistent
booster for the lost Golden Age, its glories and high deeds. And
yet, whenever the answering cheer came back, he would make a mocking
face and say something awful. The Cambridge campus is still warmed
by these mockings. What saved him from downright infamy was the fact
that, whenever they were actually in contempt of the Puritan mores
and gnosiology, they were safely superficial--that is, they never
questioned fundamentals. Wendell had a lot to say about the transient
excesses and imbecilities of democracy, visible in his time, but he
nevertheless believed in all the primary democratic fallacies, and even
defended them eloquently. He was a tart critic of the whole educational
process, and went to the length, in his own department of English, of
denying it any value whatever; nevertheless, he remained a romantic
Harvard man to the end of his days, and venerated _alma mater_ with the
best of them. He must have seen clearly that there was little that was
sound and solid left in the New England culture, that the rest of the
country had little need of it and would quickly surpass it; all the
same, he clung to the superstition that the preposterous theologians of
its early days constituted an intellectual aristocracy, and even wrote
a book eulogizing the most absurd of them, Cotton Mather.
Public-domain text, read in full here on John Shaqi.
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