Prejudices, fifth seriesMencken, H. L. (Henry Louis)
History
Prejudices, fifth series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
Is the Creel Press Bureau theory of the late war abandoned? Is it
impossible to find an educated man who is not ashamed that he succumbed
to the Wilson buncombe? Then thank the _Nation_ for that deliverance,
for when it tackled Wilson it tackled him alone. Is the Coolidge
Golden Age beginning to be sicklied o’er with a pale cast of green?
Then prepare to thank the _Nation_ again, for it began to tell the
harsh, cold truth about good Cal at a time when all the daily journals
of America, with not ten exceptions, were competing for the honor of
shining his shoes. I often wonder, indeed, that the great success
of the _Nation_ under Villard has made such little impression upon
American journalists--that they are so dead to the lessons that it
roars into their ears. They all read it--that is, all who read anything
at all. It prints news every week that they can’t find in their own
papers--sometimes news of the very first importance. It comments upon
that news in a tart and well-informed fashion. It presents all the new
ideas that rage in the world, always promptly and often pungently. To
an editorial writer the _Nation_ is indispensable. Either he reads it,
or he is an idiot. Yet its example is very seldom followed--that is,
forthrightly and heartily. Editorial writers all over the land steal
ideas from it daily; it supplies, indeed, all the ideas that most of
them ever have. It lifts them an inch, two inches, three inches, above
the sedimentary stratum of Rotarians, bankers and ice-wagon drivers;
they are conscious of its pull even when they resist. Yet very few of
them seem to make the inevitable deduction that the kind of journalism
it practices is better and more effective than the common kind--that
they, too, might amount to something in this world if they would
imitate it.
Public-domain text, read in full here on John Shaqi.
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