Prejudices, fifth seriesMencken, H. L. (Henry Louis)
History
Prejudices, fifth series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
Now for my point. It is, in brief, that the public estimation of
eminence runs almost directly in inverse ratio to its genuineness. That
is to say, the sort of eminence that the mob esteems most highly is
precisely the sort that has least grounding in solid worth and honest
accomplishment. And the reason therefor is not far to seek. The kind of
eminence that it admires is simply the kind that it can understand--the
kind that it can aspire to. The very puerility of a Coolidge, in fact,
is one of the principal causes of the admiration he excites. What he
has done in the world is within the capacities, given luck enough, of
any John Smith. His merits, such as they are, are almost universal,
and hence perfectly comprehensible. But what a Wagner or an Einstein
does is wholly beyond the understanding of an ordinary ignoramus, and
so it is impossible for the ignoramus to admire it. Worse, it tends
to arouse his suspicion, and hence his animosity. He is not merely
indifferent to the merits of a Wagner; he will, if any attempt is made
to force them upon his attention, challenge them sharply. What he
admires fundamentally, in other words, is himself, and in a Coolidge,
a Harding, a baseball pitcher, a movie actor, an archbishop, or a bank
president he can see himself. He can see himself, too, though perhaps
more dimly, in a Dewey, a Pershing, a Rockefeller or a Jack Dempsey.
But he can no more see himself in a Wagner or an Einstein than he can
see himself on the throne of the Romanoffs, and so he suspects and
dislikes such men, as he suspects and dislikes Romanoffs.
Unluckily, it is one thing to denounce his stupidity, and quite another
thing to escape its consequences. The history of mankind is peopled
chiefly, not with the genuinely great men of the race, but with the
flashy and hollow fellows who appealed to the mob. Every American
remembers vividly the contribution that Theodore Roosevelt made to the
building of the Panama Canal--a contribution that might have been made
by any other American thrown fortuitously into his place, assuming
only that the substitute shared his normal American lack of a sense
of honor. But who remembers the name of the man who actually designed
the canal? I turn to the New International Encyclopedia and find nine
whole pages about the canal, with many drawings. There is eloquent
mention of Col. Goethals--who simply carried out the designer’s plans.
There is mention, too, of Col. Gorgas--whose sanitary work was a simple
application of other men’s ideas. There is ample space for Roosevelt,
and his blackjacking of Colombia. But so far as I can find, the name of
the designer is not there. The mob did not admire him, and so history
has overlooked him.
5
_An Historic Blunder_
Public-domain text, read in full here on John Shaqi.
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