Prejudices, first seriesMencken, H. L. (Henry Louis)
History
Prejudices, first series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
Naturally enough, the blow almost kills the poor boy—he is still, in
fact, scarcely out of his nonage—and the problems that grow out of the
confession engage him for the better part of the next two years. Always
he approaches them and wrestles with them morally; always his search is
for the way that the copy-book maxims approve, not for the way that
self-preservation demands. Even when a brilliant chance for revenge
presents itself, and he is forced to embrace it by the sheer magnetic
pull of it, he does so hesitatingly, doubtingly, ashamedly. His whole
attitude to this affair, indeed, is that of an Early Christian Father.
He hates himself for gathering rosebuds while he may; he hates the woman
with a double hatred for strewing them so temptingly in his path. And in
the end, like the moral and upright fellow that he is, he sells out the
temptress for cash in hand, and salves his conscience by handing over
the money to an orphan asylum. This after prayers for divine guidance. A
fact! Don’t miss the story of it in the book. You will go far before you
get another such illuminating glimpse into a pure and righteous mind.
So in episode after episode. One observes a constant oscillation between
a pharisaical piety and a hoggish carnality. The praying brother of
yesterday is the night-hack roisterer of to-day; the roisterer of to-day
is the snuffling penitent and pledge-taker of to-morrow. Finally, he is
pulled both ways at once and suffers the greatest of all his tortures.
Again, of course, a woman is at the center of it—this time a
stenographer. He has no delusions about her virtue—she admits herself,
in fact, that it is extinct—but all the same he falls head over heels in
love with her, and is filled with an inordinate yearning to marry her
and settle down with her. Why not, indeed? She is pretty and a nice
girl; she seems to reciprocate his affection; she is naturally eager for
the obliterating gold band; she will undoubtedly make him an excellent
wife. But he has forgotten his conscience—and it rises up in revenge and
floors him. What! Marry a girl with such a Past! Take a fancy woman to
his bosom! Jealousy quickly comes to the aid of conscience. Will he be
able to forget? Contemplating the damsel in the years to come, at
breakfast, at dinner, across the domestic hearth, in the cold, blue
dawn, will he ever rid his mind of those abhorrent images, those
phantasms of men?
Public-domain text, read in full here on John Shaqi.
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