Prejudices, first seriesMencken, H. L. (Henry Louis)
History
Prejudices, first series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
The capitals are Andrew’s—or Comfort’s. I merely transcribe and
perspire. This Andrew, it appears, is a sea cook who has been mellowed
and transfigured by exhaustive study of the Bhagavad Gītā, one of the
sacred nonsense books of the Hindus. He doesn’t know who his father was,
and he remembers his mother only as one dying in a strange city. When
she finally passed away he took to the high seas and mastered marine
cookery. Thus for many years, up and down the world. Then he went ashore
at Manila and became chef to an army packtrain. Then he proceeded to
China, to Japan. Then to India, where he entered the forestry service
and plodded the Himalayan heights, always with the Bhagavad Gītā under
his arm. At some time or other, during his years of culinary seafaring,
he saved the life of a Yankee ship captain, and that captain, later
dying, left him untold millions in South America. But it is long after
all this is past that we have chiefly to do with him. He is now a young
Monte Cristo at large in New York, a Monte Cristo worshiped and gurgled
over by a crowd of mushy old maids, a hero of Uneeda-biscuit parties in
God-forsaken studios, the madness and despair of senescent virgins.
But it is not Andrew’s wealth that inflames these old girls, nor even
his manly beauty, but rather his revolutionary and astounding sapience,
his great gift for solemn and incomprehensible utterance, his skill as a
metaphysician. They hang upon his every word. His rhetoric makes their
heads swim. Once he gets fully under way, they almost swoon.... And what
girls they are! Alas, what pathetic neck-stretching toward tinsel stars!
What eager hearing of the soulful, gassy stuff! One of them has red hair
and “wine dark eyes, now cryptic black, now suffused with red glows like
the night sky above a prairie fire.” Another is “tall and lovely in a
tragic, flower-like way” and performs upon the violoncello. A third is
“a tanned woman rather variously weathered,” who writes stupefying
epigrams about Whitman and Nietzsche—making the latter’s name Nietschze,
of course! A fourth is “the Gray One”—O mystic appellation! A fifth—but
enough! You get the picture. You can imagine how Andrew’s sagacity
staggers these poor dears. You can see them fighting for him, each
against all, with sharp, psychical excaliburs.
Public-domain text, read in full here on John Shaqi.
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