Prejudices, first seriesMencken, H. L. (Henry Louis)
History
Prejudices, first series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
Pollard, as I say, was a man I respected. He knew a great deal. Half
English, half German and wholly cosmopolitan, he brought valuable
knowledges and enthusiasms to the developing American literature of his
time. Moreover, I had affection for him as well as respect, for he was a
capital companion at the _Biertisch_ and was never too busy to waste a
lecture on my lone ear—say on Otto Julius Bierbaum (one of his friends),
or Anatole France, or the technic of the novel, or the scoundrelism of
publishers. It thus pains me to violate his tomb—but let his shade
forgive me as it hopes to be forgiven! For it was Pollard, I believe,
who set going the doctrine that Robert W. Chambers is a man of talent—a
bit too commercial, perhaps, but still fundamentally a man of talent.
You will find it argued at length in “Their Day in Court.” There Pollard
called the roll of the “promising young men” of the time, _circa_ 1908.
They were Winston Churchill, David Graham Phillips—and Chambers! Alas,
for all prophets and their prognostications! Phillips, with occasional
reversions to honest work, devoted most of his later days to sensational
serials for the train-boy magazines, and when he died his desk turned
out to be full of them, and they kept dribbling along for three or four
years. Churchill, seduced by the uplift, has become an evangelist and a
bore—a worse case, even, than that of H. G. Wells. And Chambers? Let the
New York _Times_ answer. Here, in all sobriety, is its description of
the heroine of “The Moonlit Way,” one of his latest pieces:
She is a lovely and fascinating dancer who, before the war, held
the attention of all Europe and incited a great many men who had
nothing better to do to fall in love with her. She bursts upon the
astonished gaze of several of the important characters of the
story when she dashes into the ballroom of the German Embassy
_standing upon a bridled ostrich_, which she compels to dance and
go through its paces at her command. She is dressed, Mr. Chambers
assures us, _in nothing but the skin of her virtuous youth,
modified slightly by a yashmak and a zone of blue jewels about her
hips and waist_.
Public-domain text, read in full here on John Shaqi.
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