Prejudices, first seriesMencken, H. L. (Henry Louis)
History
Prejudices, first series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
of the small-town yokel, the small-town yokel _male_, the horrible
end-product of fifty years of Christian Endeavor, the little red
schoolhouse and the direct primary.
The White formula is simple to the verge of austerity. It is, in
essence, no more than a dramatization of all the current political and
sociological rumble-bumble, by Roosevelt out of Coxey’s Army, with music
by the choir of the First Methodist Church. On the one side are the Hell
Hounds of Plutocracy, the Money Demons, the Plunderbund, and their
attendant Bosses, Strike Breakers, Seducers, Nietzscheans, Free Lovers,
Atheists and Corrupt Journalists. On the other side are the great masses
of the plain people, and their attendant Uplifters, Good Samaritans,
Honest Workingmen, Faithful Husbands, Inspired Dreamers and tin-horn
Messiahs. These two armies join battle, the Bad against the Good, and
for five hundred pages or more the Good get all the worst of it. Their
jobs are taken away from them, their votes are bartered, their mortgages
are foreclosed, their women are debauched, their savings are looted,
their poor orphans are turned out to starve. A sad business, surely. One
wallows in almost unendurable emotions. The tears gush. It is as
affecting as a movie. Even the prose rises to a sort of gospel-tent
chant, like that of a Baptist Savonarola, with every second sentence
beginning with _and_, _but_ or _for_.... But we are already near the
end, and no escape is in sight. Can it be that White is stumped, like
Mark Twain in his mediæval romance—that Virtue will succumb to the
Interests? Do not fear! In the third from the last chapter Hen Jackson,
the stagehand, returns from the Dutchman’s at the corner and throws on a
rose spot-light, and then an amber, and then a violet, and then a blue.
One by one the rays of Hope begin to shoot across the stage, Dr.
Hamilton’s Easter-lilies leap from their tomb, the _dramatis personæ_
(all save the local J. Pierpont Morgan!) begin “laughing with a silver
singing,” and as the curtain falls the whole scene is bathed in
luminiferous ether, and the professor breaks into “Onward, Christian
Soldiers!” on the cabinet-organ, and there is a happy, comfortable
sobbing, and an upward rolling of eyes, and a vast blowing of noses. In
brief, the finish of a chautauqua lecture on “The Grand Future of
America, or, The Glory of Service.” In brief, slobber....
Public-domain text, read in full here on John Shaqi.
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