Prejudices, fourth seriesMencken, H. L. (Henry Louis)
History
Prejudices, fourth series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
But millions of the slaves, of course, must remain in the small towns
or on the land; the cities can’t absorb all of them, nor even half of
them. They thus confront the problem of making life bearable out of
their own meagre resources. The devices that they adopt--political,
religious and social--are familiar to all of us, and account fully, it
seems to me, for some of the phenomena of American life that are most
puzzling to foreign observers. The hoop-la Methodist revival with its
psychopathological basis; the violent bitterness of rural politics; the
prosperity of the Ku Klux Klan and all the other clownish fraternal
orders; the persistent popularity of lynching, tarring and feathering,
barbarities of a dozen other varieties--all these things are no more
than manifestations of the poor hind’s pathetic effort to raise himself
out of his wallow, to justify and dignify his existence, to escape
from the sordid realities that daily confront him. To snort and froth
at a revival makes him conspicuous, prominent, a man of mark; it is
therefore easy to induce him to do it. To hold a petty county office
is eminence; hence he struggles for it frantically. To belong to the
Ku Klux gives him a mysterious and sinister dignity, and fills him
with a sense of power and consequence; he falls for it as quickly as
a city intellectual falls for the _Légion d’honneur_ or an LL.D. To
take a hand in a concrete tarring or lynching--this instantly makes
him feel that he has played an heroic rôle in the world, that he has
accomplished something large and memorable--above all, that he has
had a gaudy good time. In brief, all these things make him forget,
transiently or permanently, that he is a miserable worm, and of little
more actual importance on earth than his own hogs.
Public-domain text, read in full here on John Shaqi.
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