Prejudices, second seriesMencken, H. L. (Henry Louis)
History
Prejudices, second series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
No, it was not money that lured the adolescent husbandman to the
cities, but the gay life. What he dreamed of was a more spacious and
stimulating existence than the farm could offer--an existence crowded
with intriguing and usually unlawful recreations. A few old farmers may
have come in now and then to buy gold bricks or to hear the current
Henry Ward Beechers, but these oldsters were mere trippers--they never
thought of settling down--the very notion of it would have appalled
them. The actual settlers were all young, and what brought them on was
less an economic impulse than an æsthetic one. They wanted to live
magnificently, to taste the sweets that drummers talked of, to sample
the refined divertisements described in such works as "The Confessions
of an Actress," "Night Life in Chicago" and "What Every Young Husband
Should Know." Specifically, they yearned for a semester or two in the
theaters, the saloons and the bordellos--particularly, the saloons and
bordellos. It was this gorgeous bait that dragged them out of their
barn-yards. It was this bait that landed a select few in Wall street
and the United States Senate--and millions on the front seats of
trolley-cars, delivery-wagons and ash-carts.
But now Puritanism eats the bait. In all our great cities the public
stews are closed, and the lamentable irregularities they catered to are
thrown upon an individual initiative that is quite beyond the talents
and enterprise of a plow-hand. Now the saloons are closed too, and the
blind-pigs begin to charge such prices that no peasant can hope to pay
them. Only the theater remains--and already the theater loses its old
lavish devilishness. True enough, it still deals in pornography, but
that pornography becomes exclusive and even esoteric: a yokel could
not understand the higher farce, nor could he afford to pay for a
seat at a modern leg-show. The cheap burlesque house of other days is
now incurably moral; I saw a burlesque show lately which was almost a
dramatization of a wall-card by Dr. Frank Crane. There remains the
movie, but the peasant needn't come to the city to see movies--there is
one in every village. What remains, then, of the old lure? What sane
youth, comfortably housed on a farm, with Theda Bara performing at the
nearest cross-roads, wheat at $2.25 a bushel and milkers getting $75 a
month and board--what jejune rustic, not downright imbecile, itches for
the city to-day?
3
_Cupid and Well-Water_
In the department of amour, I daresay, the first effect of Prohibition
will be to raise up impediments to marriage. It was alcohol, in the
past, that was the primary cause of perhaps a majority of alliances
among civilized folk. The man, priming himself with cocktails to
achieve boldness, found himself suddenly bogged in sentimentality, and
so yielded to the ancient tricks of the lady. Absolutely sober men will
be harder to snare. Coffee will never mellow them sufficiently. Thus I
look for a fall in the marriage rate.
Public-domain text, read in full here on John Shaqi.
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