As for the cause of this unanimous torpor and doltishness, this curious and almost pathological estrangement from everything that makes for a civilized culture, I have hinted at it already, and now state it again. The south has simply been drained of all its best blood. The vast blood-letting of the Civil War half exterminated and wholly paralyzed the old aristocracy, and so left the land to the harsh mercies of the poor white trash, now its masters. The war, of course, was not a complete massacre. It spared a decent number of first-rate southerners--perhaps even some of the very best. Moreover, other countries, notably France and Germany, have survived far more staggering butcheries, and even showed marked progress thereafter. But the war not only cost a great many valuable lives; it also brought bankruptcy, demoralization and despair in its train--and so the majority of the first-rate southerners that were left, broken in spirit and unable to live under the new dispensation, cleared out. A few went to South America, to Egypt, to the Far East. Most came north. They were fecund; their progeny is widely dispersed, to the great benefit of the north. A southerner of good blood almost always does well in the north. He finds, even in the big cities, surroundings fit for a man of condition. His peculiar qualities have a high social value, and are esteemed. He is welcomed by the codfish aristocracy as one palpably superior. But in the south he throws up his hands. It is impossible for him to stoop to the common level. He cannot brawl in politics with the grandsons of his grand-father's tenants. He is unable to share their fierce jealousy of the emerging black--the cornerstone of all their public thinking. He is anæsthetic to their theological and political enthusiasms. He finds himself an alien at their feasts of soul. And so he withdraws into his tower, and is heard of no more. Cabell is almost a perfect example. His eyes, for years, were turned toward the past; he became a professor of the grotesque genealogizing that decaying aristocracies affect; it was only by a sort of accident that he discovered himself to be an artist. The south is unaware of the fact to this day; it regards Woodrow Wilson and Col. John Temple Graves as much finer stylists, and Frank L. Stanton as an infinitely greater poet. If it has heard, which I doubt, that Cabell has been hoofed by the Comstocks, it unquestionably views that assault as a deserved rebuke to a fellow who indulges a lewd passion for fancy writing, and is a covert enemy to the Only True Christianity.