As a result of this preference of the southern gentry for mulatto mistresses there was created a series of mixed strains containing the best white blood of the south, and perhaps of the whole country. As another result the poor whites went unfertilized from above, and so missed the improvement that so constantly shows itself in the peasant stocks of other countries. It is a commonplace that nearly all negroes who rise above the general are of mixed blood, usually with the white predominating. I know a great many negroes, and it would be hard for me to think of an exception. What is too often forgotten is that this white blood is not the blood of the poor whites but that of the old gentry. The mulatto girls of the early days despised the poor whites as creatures distinctly inferior to negroes, and it was thus almost unheard of for such a girl to enter into relations with a man of that submerged class. This aversion was based upon a sound instinct. The southern mulatto of to-day is a proof of it. Like all other half-breeds he is an unhappy man, with disquieting tendencies toward anti-social habits of thought, but he is intrinsically a better animal than the pure-blooded descendant of the old poor whites, and he not infrequently demonstrates it. It is not by accident that the negroes of the south are making faster progress, economically and culturally, than the masses of the whites. It is not by accident that the only visible æsthetic activity in the south is wholly in their hands. No southern composer has ever written music so good as that of half a dozen white-black composers who might be named. Even in politics, the negro reveals a curious superiority. Despite the fact that the race question has been the main political concern of the southern whites for two generations, to the practical exclusion of everything else, they have contributed nothing to its discussion that has impressed the rest of the world so deeply and so favorably as three or four books by southern negroes.